Tag Archives: Daphne du Maurier

Gothic Literature

Daphne du Maurier and the Gothic

I first read Daphne du Maurier when I found old hardback copies of her books with their beautiful wrap around covers on my mother’s bookshelf and these books were the start of my obsession with all things Gothic. Having an interest in Australian Gothic it’s on my ‘to be read’ list to read more of our 19th century Australian writers who wrote in the Gothic genre.

I wrote a post on 29 th October, 2016 called ‘Gothic Literature’ in which I spoke about Australian Gothic Literature and listed some of my favourite books in the Gothic genre.

images

Daphne du Maurier (1907-1989) used traditional Gothic motifs. Her motifs are: dark romances, a fascination with the past, the supernatural, and the magical intermingled with the realistic. And contain psychological insight through characterisation and representation of fear and the sinister and macabre .

unknown

Her short stories, such as ‘The Birds, ‘Don’t Look Now’ and ‘The Apple Tree’, take Gothic themes and add new twists. ‘The Apple Tree’can be read as the story of a woman haunting her husband from beyond the grave but it can also be viewed as a chilling meditation upon mental disintegration.

Daphne du Maurier was foremost a storyteller and that’s what I love about her novels and short stories. They draw you in and you can’t let go of the characters, ever!

220px-rebecca_1940_film_poster

Rebecca herself  is dead when the novel starts and is the perfect example of a character and not a ghost, who makes not a single living appearance, but haunts the imaginations of the living protagonists. Favourite characters all.

I read all Daphne du Maurier’s novels and short stories, often found preloved in second hand bookshops, before I left school, The mystery and magic of her story telling and the haunting darkness and complexity of her work makes me return to them often.

unknown-1

Other favourite characters are Phillip and Rachel in My Cousin Rachel and Mary Yellan in Jamaica Inn.

9781844088539

In the same way as Thomas Hardy is forever associated with Wessex, and Charles Dickens with London, so Daphne du Maurier is forever associated with Cornwall. Cornwall gave du Maurier the freedom to write free from the distractions of London life. I have several books about Cornwell on my bookshelf including Vanishing Cornwell by Daphne du Maurier.

Daphne and her two sisters

images-1

Have a wonderful week and include storytelling, writing and reading.

Elise

Thanks to Greg Buzwell, Curator for Printed Literary Sources, 1801 – 1914 at the British Library. His research focuses primarily on the Gothic literature of the Victorian fin de siècle. He is also editing a collection of Mary Elizabeth Braddon’s ghost stories, The Face in the Glass and Other Gothic Tales, for publication. The text in Greg’s article is available under the Creative Commons License.

 

Leave a comment

Filed under What Elise Wrote

My Writing Journey

Literary Tip

Linking words help you to connect ideas and sentences, so that people can follow your ideas.

The most common way to give examples is by using:  ‘for example’ or ‘for instance’

Adding information

And, In addition, As well as, Also, Too, Furthermore, Moreover, Apart from, In addition to, Besides

Setting the Scene

Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. There was a padlock and a chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited.

No smoke came from the chimney and the little lattice windows gaped forlorn . . .

The drive wound away in front of me, twisting and turning as it had always done, but as I advanced I was aware that a change had come upon it: it was narrow and unkempt, not the drive that we had known . . .

Chapter 1 of Rebecca, by Daphne du Maurier.

This famous opening sets the scene immediately, it is disturbing, and starts to tell the story.  The reader can only wonder and turn the page. The storyline of this novel is bound up with the geographical setting of Cornwall, I can’t imagine it set in any other place. But the setting is there to serve the story. A story filled with dull people and a boring plot cannot be redeemed by an evocative setting.

Thanks for your emails, I hope to answer all of them eventually!

Good writing, Elise

 

 

Leave a comment

Filed under Elise McCune, What Elise Wrote