Slottet i Regnskogen-Elise McCune

The Castle in the Rainforest (Hardcover)

VisBildeServlet-1

This is the lovely cover for the translated Norwegian hardcover edition of The Castle in the Rainforest. The title of the Australian edition is Castle of Dreams.

Norway is a Scandinavian country encompassing mountains, glaciers and deep coastal fjords. Oslo, the capital, is a city of green spaces and museums. Preserved 9th-century Viking ships are displayed at Oslo’s Viking Ship Museum. Bergen, with colorful wooden houses, is the starting point for cruises to the dramatic Sognefjord. Norway is also known for fishing, hiking and skiing, notably at Lillehammer’s Olympic resort.

My publisher Cappelen Damm is a Norwegian publisher based in Oslo.

images-3

Bees by Tafline Laylin

Bees in the capital city of Norway now have their own ‘highway’ thanks to a pioneering initiative by environmentalists protecting urban bees. Concerted efforts to sprout pollinator-friendly plants on rooftops, balconies and in gardens throughout Oslo give bees a safe space to proliferate without having to overcome pesticides and other human-caused curve balls that have decimated global bee populations. Headed by Bybi, the project has captured the attention of private individuals, businesses and various state bodies, who can map their section of highway on a dedicated webpage.

honey-1958464__340

And, I love Norwegian style which is characterised by simplicity although like in Australia I guess some people love their clutter!

doc_704_1-ashx3-620x413

Norway is truly beautiful. I’d love to visit one day!

crocus-23664037

Elise

Leave a comment

Filed under What Elise Wrote

Hazel Edwards-Australian Author

Hazel Edwards will be a speaker at the HNSA Conference Swinburne University Hawthorn, Melbourne, September 8-10

Visit our website to take advantage of our early bird discounts.
http://hnsa.org.au/conference/buy-tickets/

Hazel-Edwards.jpg

An avid reader (who read under the bedclothes and in the bath), as a young girl, Hazel Edwards wrote her first novel in grade six, a mystery about adventurous children stuck in a mine. This passion for writing and character development continued and after working as a secondary school teacher, at twenty-seven, Hazel published her first novel, ‘General Store’, a book based on life in a rural town.

In 2001, Hazel was awarded the Australian Antarctic Division Arts Fellowship and travelled to Casey Station on the ‘Polar Bird’ ice-ship. This visit inspired a range of creative projects including the young adult eco-thriller ‘Antarctica’s Frozen Chosen’, picture book ‘ Antarctic Dad’and the memoir, ‘ Antarctic Writer on Ice’as well as classroom playscriptsand literacy material.

Passionate about literacy and creativity, Hazel has mentored gifted children and proudly held the title of Reading Ambassdor for various organisations. Currently a director on the Committee of Management of the Australian Society of Authors, Hazel was awarded an OAM for Literature in 2013.

cover-Hippo-on-roof.jpg

Hazel Edwards has written more than 200 books in a career spanning 43 years, but what she calls the “highlight of my literary career” came watching the stage show of her beloved children’s classic There’s A Hippopotamus on Our Roof Eating Cake. “I was absolutely thrilled,” she says. “I’ve got my grandson sitting alongside me, totally engrossed, a mixed audience of adults and children and a cast that were all enjoying themselves. Some of the children were mouthing along with everything, and some turned up in little pink dresses.” The show, Hippo Hippo! combines themes from the 1980 book and its five sequels, all colourfully illustrated by Deborah Niland.  The story is of a small girl and her imaginary friend, a big pink loveable rogue of a hippopotamus who lives on the roof and is causing it to leak. The hippo, as the girl will tell you, can do what he likes, including eating a steady diet of cake. It wasn’t Hazel who first came up with the idea, it was her then-four-year-old son Trevelyan, who explained that it was a hippopotamus who eats cake who was causing a leak in the family’s new Blackburn home. Hazel says her children (her daughter Kim was then aged six) and a neighbour’s child helped her to put the idea down on paper. “So many children aged around four – which is a most imaginative age – want an imaginary friend and many of them have variations of that. But it was just the fact that I captured it. We really did it just for fun.”  A classic Australian book comes to life. Photo: Supplied In its 36 years, Hippo has become one of the most popular Australian children’s books ever. It’s sold more than one million copies internationally, it’s been translated into Chinese, Auslan and Braille, it was turned into a short film in 2011, and it was given as a gift from the Australian government to the newborn daughter of Princess Mary of Denmark. But, most significantly, it’s been loved by thousands of children, their parents and grandparents, for generations. “I was signing books a few years ago in a bookstore and this really well-muscled bikie with tats came along. I had all these four and five-year-olds in a queue, and he stood over me and he said, “great book that, read it when I was a kid” and kept walking,” Hazel says. “Of all the books I’ve published, the Hippo is the one that everybody relates to. Yes I am surprised that it’s lasted that long … But I always knew it was special.” Hazel says she continues to get children knocking on the door of the same Blackburn home where she wrote the book and still resides, asking if this is the house where the hippo lives. “So I say, ‘have a look!’ I don’t say yes and I don’t say no. I think the important thing is that the children use their imaginations,” she says. “A book doesn’t really belong to the author or the illustrator once it’s published, it actually belongs to the reader’s imagination.” And, in case you’re wondering, her roof does still sometimes leak.

17424790_974036782727190_2576494029830986534_n.jpg

Thanks to Claire Slattery for the article on the stage show There’s a Hippopotamus on Our Roof Eating Cake.

The HNSA Melbourne Conference will be a fabulous event with authors such as Hazel Edwards presenting.

Good writing and reading and like the hippopotamus eat lots of cake!

Elise

Leave a comment

Filed under What Elise Wrote

What Elise Wrote-Today

The working title for my work-in-progress is One Bright Day and my story does seem shiny and bright (except for when I come to a great stumbling block in the plot). Now I have made a deadline to finish the novel I find that the words are flowing more easily. Still, I do have some way to go yet until I finish.

It’s April, 1921 and the war that impacted so many people has been over for three years. I’m spending time with Ellen, who at this moment is walking along taking in the sights of historical London. It’s Ellen’s first overseas journey and she left her home in southwestern Australia with some trepidation. It’s the English spring, and there’s nothing like a fine, spring day in England and Ellen and a friend are going on a picnic in Regent’s Park. Ellen is an artist and takes her sketchbook wherever she goes I wonder what she sketched today.

Regent’s Park, London

regents-park-in-spring-with-daffodils-and-blossom-on-trees-people-dxhjb9

Ellen, for a very special reason, goes to St Pancras Old Church in London so I’ve researched part of its history. (I love research and finding some little gem to include in my story.) I found this!

In the churchyard of St Pancras Old Church in London, an ash tree is circled by gravestones.

hardytreestsaintpancraslondon6

Thomas Hardy (before turning to writing full time) studied architecture in London under Mr. Arlhur Blomfield, an architect based in Covent Garden. During the 1860s the Midland Railwayline was being built over part of the original St. Pancras Churchyard. Blomfield was commissioned to supervise the proper exhumation of human remains and dismantling of tombs. He passed this unenviable task to his protegé Thomas Hardy in. c.l865. Hardy would have spent many hours in St. Pancras Churchyard overseeing the careful removal of bodies and tombs from the land on which the railway was being built. The headstones around this ash tree would have been placed here about that time. The tree has since grown in amongst the stones.

It’s fun writing a story!

I particularly enjoy setting my stories in Australia but sometimes my characters travel overseas. In this story it is to England and I have glimpses of the Middle East in WW1.

This the gate Ellen walks through to visit an abandoned house.

images-3

I’m looking forward to being a speaker at the HNSA Conference in Melbourne in September (details below).

This celebration of the historical fiction genre will showcase over 60 speakers discussing our theme, inspiration, writing craft, research, publishing pathways and personal histories. http://hnsa.org.au/conference/programme/ Among the many acclaimed historical novelists participating are Kerry Greenwood, Kate Forsyth, Deborah Challinor, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott, Arnold Zable, Gary Crew, Melissa Ashley, Kate Mildenhall, Juliet Marillier, Anne Gracie, Pamela Hart, Kelly Gardiner and Libby Hathorn. http://hnsa.org.au/conference/speakers/

Let’s celebrate historical fiction!

Elise

Ref. The Hardy Tree:   jinx-in-the-sky.blogspot.com

2 Comments

Filed under Elise McCune, What Elise Wrote

Spirit of Place-Tumut Valley

Another month or two and I will be finished writing my new book. It has a working title of One Bright Day. 

The inspiration for this story came from a visit by my daughter to Elizabeth’s Second Hand Bookshop in Perth, WA. As she was browsing its dusty shelves she picked up a book with pressed flowers between its pages and thought it might be a good way to start a story.

The early narrative thread (it is a time split novel) is set in the southwest of WA where I lived for several years on a vineyard so I know the area well, with detours to other parts of the world and finally, and most importantly, for this is where the heart of the story is, in the Tumut Valley where the Wiradjuri Aboriginal people lived for thousands of years prior to European settlement.

My story is about abandoned gardens and love and romance, betrayal, and of course big family secrets and what more beautiful place to write about than the lovely Valley that sits on the north-west foothills of the Snowy Mountains.

I enjoy writing stories set in the Australia and although I grew up beside the Pacific Ocean when I moved to a  five thousand acre farm two hundred and fifty kilometres north of Perth it was there I found the sense of place I’d been searching for.

A favourite author of mine, Miles Franklin used to live in the Brindabella Ranges and she was committed to the development of a uniquely Australian form of literature. While she does not feature in my story through her I felt a connection to the area. Another link was Elyne Mitchell’s stories set in the high country that I’d read as a child and remembered  fondly.

Miles Franklin

miles-franklin-overland-image

I was lately in the Valley and it was here I found not just a sense of place but a spirit of place. I travelled with two friends and we stayed in an old house with lots of history (but beautifully updated)  in Wynyard Street in Tumut. I’d already written about this street in my story so to be able to walk where my characters walk was perfect for my research.

The best part of the trip was meeting people from the area, wonderful, friendly and engaging people who took us into their hearts and their community.

Sulari Gentill, the writer of the Roland Sinclair Mysteries series, lives in Batlow, a twenty minute drive from Tumut, and we met up with her and Sarah, her good friend, who’d invited me to speak at the View Club’s luncheon (in support of the Smith Family) for International Women’s Day. We shared coffee and cake in Coffee and More in the main street (no parking restrictions) and we parked right outside the shop.

Sulari, a generous person with both her time and sharing of knowledge of the area, took us to the Sugarpine Walk in Batlow where we strolled amongst the dense stand of enormous sugar pines, the largest and tallest of pines, planted in 1928. Someone in the past had had the great idea to take out a row of pines. It’s like walking up the nave of a cathedral and is a place where marriages are blessed.

Sugarpine Walk in Winter

images-1

I had read about the bogong moths that provided a rich food source for Aborigines in the area. The moths would be hunted by the male members of the tribe as the moth lay at rest in the mountains and many bogong moth feasts occured. I will weave this through my story.

Bogong Moth

17-Moth

I met Sue Bulger, a Wiradjuri Elder who grew up on the Brungle Mission, and felt a sense of connection to her when I sat next to her at the luncheon.  Welcome to Country recognises the unique position of Aboriginal people in Australian culture and history as the original Custodians of the Land and Sue conveyed the meaning of this in her welcome to all the women at the event. I asked Sue if she’d launch my book in Tumut should I be lucky enough to have it published and she said yes.

We were also fortunate to meet Marcia from the Historical Society who kindly opened their museum to us and we spent an hour or so happily looking around. There is so much history about Miles Franklin in the museum and seeing one of her typed manuscripts and many items owned by or relating to this wonderful writer was inspirational.

I spent time with Pat who lives next door to our house in Wynyard Street. We sat together on her verandah and she told me about people from the past for she is a lady in her eighties, and we looked at clippings from old newspapers and one of the three published genealogy  books on her large family. My friends and I were invited to a country property for afternoon tea at Marlene’s beautiful family home built of local stone  and she showed us her art work made from old metal. I loved the bridal dress she’d welded from an old pressed tin ceiling and the added gauze veil with scattered pearls.

Tumut River

images 7.56.15 PM

Outside of  Tumut is a pioneer cemetery which of course we had to visit. A Chinese Funerary burner, which serves as a safe place for the ritualized burning of spiritual tributes, stood near old Chinese graves. In the photo below you can see the funerary burner to the right.

Tumut Pioneer Cemetery

Unknown-2

And while I didn’t find Pat’s great-grandparents (the Bridals) graves (next visit) I did see, on another grave surrounded by rusted railings, a beautiful shed snakeskin. A superior being, the Rainbow Serpent in Aboriginal mythology created the people and the universe. The shedding of their skin made the snakes a symbol of rebirth and renewal. I have written about the Rainbow Serpent in my story so seeing the pale delicate beauty of the shed snakeskin seemed a powerful omen of good fortune.

Unknown

We have been invited to return to Tumut, when no matter how beautiful we thought it to be, we have been assured that in other seasons the Valley is even more glorious.

And I forget to tell you that as Sulari pulled up at the  Sugar Pine Plantation my friends and I  saw our first brumby, a lovely young animal, who paused for a second to look at us before it disappeared into the shadowed pine forest.

Brumbies

images-2

All Saints Anglican Church, Tumut

churchallsaintsriver

On our last morning in the Valley my friends and I walked at first light with the mist hanging low over the river and in early evening we went around the corner to River Street and stood at the gates of historical All Saints Anglican Church to watch the last rays of evening light touch the top of the tall spire.

Friends found, a spirit of place found, and friends to share with.

We walked back slowly to our house and  when we left the next day something of the magic we’d found in the Valley came with us.

Elise

11 Comments

Filed under What Elise Wrote

The Harp in the South by Ruth Park

I will be speaking at the HNSA Melbourne Conference 8th to 10th September, 2017. My session is on Saturday afternoon.

WORLDS AT WAR: THE APPEAL OF 20TH CENTURY HISTORICAL FICTION
The history of the early to mid-20th century now falls within the definition of ‘historical fiction’. Why do novels depicting the great conflicts of modern times hold such fascination? And has war fiction replaced Tudor fiction as ‘the favourite flavour’ for readers and publishers? Julian Novitz discusses these questions with Paddy Richardson, Elise McCune, Justin Sheedy and Julian Leatherdale.

The main menu of the website (2017 Programme) is broken into the following sub-menu:

This is my fifth review for the Australian Women Writer’s Challenge.

unknown Surry Hills, 1940’sshop-13k

The Harp in the South by Ruth Park is one of my favourite books. It was first published in 1948 and was Ruth Park’s first novel. Set in the 1940’s it tells the story of the Darcy family who live in a small terrace house in Surrey Hills, a working class suburb of Sydney: Roie and Dolour, their parents Hughie and Margaret (Mumma) and Mr Diamond and Miss Sheily who rent the two attic rooms in the house. Hughie has a job at a foundry, but is often off sick due to the effects of the sly grog he imbibes. Mumma tries to be a good Catholic wife. They once had a little son,Thaddy, but one day he was playing outside on the pavement and disappeared never to be seen again. The lose of Thaddy leaves a hole as big as the sky in Mumma’s heart.

Ruth Park

Rosina Ruth Lucia Park (24 August 1917 – 14 December 2010) was a New Zealand–born Australian author. Her best known works are the novels The Harp in the South (1948) and Playing Beatie Bow (1980), and the children’s radio serial The Muddle-Headed Wombat (1951–1970), which also spawned a book series (1962–1982).


ruthpark-sydney-1940s

The main theme is the influence of the Catholic Church and poverty and hardship. When I read The Harp in the South I am in awe of how Ruth Park, a young woman at the time of writing this novel, had such insight into the lives and loves and despair of the people who lived at Twelve-and-a-Half, Plymouth Street. And she understands that they enjoyed being part of a family and the wider community and also that they considered themselves lucky.

In October 1945, the Sydney Morning Herald announced an art and literature grant that included a two-thousand pound prize for the best novel. In December 1946, Ruth Park (aged twenty-six) learned that out of 175 entries, her book about the Irish-Australian family had won.

The Harp in the South, wrote war poet Shawn O’Leary in the review that accompanied the announcement, ‘bludgeons the reader about the brain, the heart, and the conscience.’ It became an Australian classic, acclaimed by literary critics and so loved that it is yet to go out of print and is published in 37 languages.

The Harp in the South is a wonderful book, a quintessential Australian story that I reread often with something amounting to glee.

Perhaps in some other time she would find him here in this room, this dirty dark room that had now been enhaloed and enchanted as the tomb of Joseph of Arimathea after the Resurrection. She looked up at the ceiling; neither the stained plaster nor the clotted webs did she see, only the dark and fathomless and immortal sky, and beyond it Him who chose to walk in the ways of the poor and the forgotten as He walked in His garden. 

Ruth Park

unknown-2

Good reading and writing

Elise

Leave a comment

Filed under Elise McCune, What Elise Wrote

The Wild Girl by Kate Forsyth

Kate Forsyth is the HNSA Patron at the  HNSA Conference Melbourne
8th -10th September 2017.

 Visit our speaker’s page www.hnsa.org.au/speakers for more information.

SUBSCRIBE to our newsletter to hear when early bird registration opens http://eepurl.com/bgWm49 And 

Kate Forsyth wrote her first novel at the age of seven, and is now the award-winning & internationally bestselling author of more than 20 books for both adults and children.

Beauty in Thorns, the extraordinary love story behind the Pre-Raphaelite artist Edward Burne-Jones’s famous painting of ‘Sleeping Beauty’. Other novels include The Beast’s Garden, a retelling of ‘Beauty & the Beast’ set in the underground resistance to Hitler in Nazi Germany; The Wild Girl, the story of the forbidden romance behind the Grimm brothers’ fairy tales; and Bitter Greens, a retelling of ‘Rapunzel’ which won the 2015 American Library Association Award for Best Historical Fiction. Named one of Australia’s Favourite 15 Novelists, Kate has a doctorate in fairy tale studies and is an accredited master storyteller.

unknown

The Wild Girl  by Kate Forsyth is storytelling at its best. I enjoyed the richness of the words, the characters who were brought to life and the story which is about love and overcoming adversity. It is a blending of historical fact and fiction. Kate Forsyth has researched the events in the novel and in the afterword the author writes that she listened to the story within the stories that Gretchen told. This helped to plausibly fill in the blanks in Gretchen’s life.

17283570

From the back cover:
Dortchen Wild is drawn to the boy next door, young and handsome fairy tale scholar Wilhelm Grimm. They live in the German kingdom of Hessen-Cassel in the early nineteenth century in a time of war. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Living under French rule, the Grimm brothers decide to save the old tales that had once been told by the firesides of houses grand and small all over the land.
Dortchen knows many beautiful old stories and as she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen’s father has other plans for his daughter. Marriage is an impossible dream.
Dortchen can only hope that happy endings are not just the stuff of fairy tales.

As a lover of history The Wild Girl had me turning the pages. I enjoyed the historical facts of Napoleon’s advance, then retreat, through Europe. I have an interest in plants and flowers and found the glimpse into how flowers and herbs were used at the time, as both medicines and to help people achieve their desires, added to the richness of the story.

The abuse that Dortchen suffers at the hands of her father, one of the people in her life who should protect her, was handled well, although one particularly harrowing scene was not to my liking. I can, however, see the need for this scene as it explains future happenings in the plot.

Excerpt from the first page:
‘Snow lay thick on the ground. The lake’s edges were slurred with ice. The only colour was the red rosehips in the briar hedge, and the golden windows of the palace. Violin music lilted into the air, and shadows twirled past the glass panes.’

In The Wild Girl Kate Forysth enchants with her descriptive powers, engages the reader with the story, and most of all Gretchen and Wilhem are vividly brought to life.

Elise

2 Comments

Filed under Elise McCune, What Elise Wrote

Castle of Dreams

Photos I used as inspiration in writing the historical narrative in Castle of Dreams.

Robert Shine and Vivien Blake                    Vivien typing a letter


Rose Blake


Paronella Park aka Castillo de Suenos 


Jacaranda trees in Brisbane

jacaranda-trees-street

I was wondering how I could weave the Pacific War through my story when I discovered by a serindipitious happening that Australian and American Service personnel visited the castle for rest and recreation during the war years. They came out to the Saturday night dances, went canoeing on the lake with their Cairns and Innisfail girlfriends.

Castle of Dreams will be published in Norwegian in April 2017 and re-printed in Australia in June 2017. I hope you enjoy reading it as much as I loved writing it!

Elise

2 Comments

Filed under Allen & Unwin, Cappelen Damm, Castle of Dreams, Elise McCune, Paronella Park, What Elise Wrote

The Storyteller

‘Storyteller Under Sunny Skies,’ a clay sculpture by Rose Pecos-Sun Rhodes (Jemez Pueblo), 1993, in the permanent collection of The Children’s Museum of Indianapolis

220px-the_childrens_museum_of_indianapolis_-_storyteller_under_sunny_skies_clay_sculpture

Early storytelling most likely originated in simple chants. People sang chants as they worked at grinding corn or sharpening tools. Our early ancestors created myths to explain natural occurrences. They assigned superhuman qualities to ordinary people, thus originating the hero tale.

Journeying from land to land, storytellers would learn various regions’s stories while also gathering news to bring back with them. Through exchanging stories with other storytellers, stories changed, making it difficult to trace the origins of many stories.

I write time-slip novels with one narrative set in the past. I hope I create stories that engage the reader and my plot  has them turning the pages. The wonderful thing about being a storyteller is being able to bring characters to life so that when a reader finishes your novel the characters live on in their imagination. Research for historical fiction can be overwhelming. If an author wants to convince a reader there is no room for error although on saying that I’ve read the most wonderful and well researched books that have included an incorrect historical detail and it has not detracted from the story. Someone once told me about carpet weavers in India who always make sure to leave a flaw in a finished carpet to show only God is perfect. Research is a long piece of string but on the whole it’s crucial historical details are correct so we can bring the dusty, cobwebbed world of the past to life.

When I write I like to focus on the beauty of the writing and intricate issues. A story that provides a means to better understand the world. A story driven by my characters and one that keeps my readers turning the page.

But the most important thing to remember is that authors are storytellers and must enchant the reader which is easier to do in some stories than others.

One of my favourite books is Speak, Memory an autobiographical memoir by writer Vladimir Nabokov. It’s been on my shelf since my teenage self found it in a Sydney  bookstore and it’s a book I reread.

Vladimir Nabokov writes:

‘There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer…The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought…Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass.’

Excerpt: Paris Review No. 40

‘There is no doubt that Nabokov feels as a tragic loss the conspiracy of history that deprived him of his native Russia, and that brought him in middle life to doing his life’s work in a language that is not that of his first dreams.’

Enchantment is such a lovely word, the sound of it, the meaning it brings to mind.

Oxford Dictionary of English:

Enchantment

1 a feeling of great pleasure; delight: the enchantment of the mountains.
2 the state of being under a spell; magic: a world of mystery and enchantment.

I hope the new novel I’m working on tells a story that is full of enchantment and mystery and that my readers want to keep turning the pages.  And because it has a magical garden at the heart of the story I thought I’d give you a glimpse of the garden that inspired me.

OLYMPUS DIGITAL CAMERA

Have a wonderful day, dreaming, writing and reading and most of all I hope it is full of enchantment.

Elise

2 Comments

Filed under Elise McCune, What Elise Wrote

Salt Creek by Lucy Treloar

I read Salt Creek last year and on rereading it I enjoyed it as much as the first time. It was my favourite book in 2016.

what elise wrote

Salt Creek, 1855, is situated at the far reaches of the remote, beautiful and inhospitable coastal region, the Coorong, in the new province of South Australia. Stanton Finch has moved his large family there after his business failed in Adelaide. Fifteen-year-old Hester and her siblings enjoy the company of the few travellers that pass along the nearby stock-route. There is young artist, Charles and the Ngarrindjeri people who they have dispossessed. An Aboriginal boy, Tully, is their friend and over the passing years becomes part of the family.Stanton Finch hopes to restore the family fortunes and the family’s good name. But his ideas fail, leaving him deeper in debt.
Caring for the family falls to young Hester Finch when her mother descends into melancholia and spends time in her bedroom staring into space.
Stanton Finch attempts to tame the harsh landscape bring ruin to the Ngarrindjeri people’s homes and livelihoods…

View original post 191 more words

Leave a comment

Filed under What Elise Wrote

The birdman’s wife by Melissa Ashley

The Birdman’s Wife by Australian author Melissa Ashley is a well written and researched book about artist Elizabeth Gould who was the wife of John Gould the famous Victorian ornithologist.

I came across Melissa Ashley’s book when it was one of the books of the month for BCbookclub, an online bookclub, that I belong to. I undid the string and brown wrapping paper that the book was wrapped in and without doubt the book had one of the most beautiful cover’s I’d ever seen. The endpages were just as lovely.

the-birdmans-wife

From the inside cover:

Artist Elizabeth Gould spent her life capturing the sublime beauty of birds the world had never seen before. But her legacy was eclipsed by the fame of her husband, John Gould. The Birdman’s Wife at last gives voice to a passionate and adventurous spirit who was so much more than the woman behind the man.

Elizabeth was a woman ahead of her time, juggling the demands of her artistic life with her roles as wife, lover, helpmate, and mother to an evergrowing brood of children. In a golden age of discovery, her artistry breathed wondrous life into hundreds of exotic new species, including Charles Darwin’s famous Galapagos finches.

In The Birdman’s Wife, the naïve young girl who falls in love with a demanding and ambitious genius comes into her own as a woman, an artist and a bold adventurer who defies convention by embarking on a trailblazing expedition to collect and illustrate Australia’s ‘curious’ birdlife.

In this indelible portrait, an extraordinary woman overshadowed by history steps back into the light where she belongs.

Melissa Ashley: photo Vikki Lambert

melissa-ashley-276x300

About the Author

Melissa Ashley is a writer, poet, birder and academic who tutors in poetry and creative writing at the University of Queensland. She has published a collection of poems, The Hospital for Dolls, short stories, essays and articles. What started out as research for a PhD dissertation on Elizabeth Gould became a labour of love and her first novel, The Birdman’s Wife. Inspired by her heroine, she studied taxidermy as a volunteer at the Queensland Museum. Melissa lives in Brisbane.

The story lived up to all my expectations and I would highly recommend this book.

This is the second book I have read for the Australian Women Writer’s Challenge, 2017.

The AWW challenge was set up to help overcome gender bias in the reviewing of books by Australian women. The challenge encourages avid readers and book bloggers, male and female, living in or outside Australia, to read and review books by Australian women throughout the year. You don’t have to be a writer to sign up. You can choose to read and review, or read only.

aww2017-badge

Have good week, reading, writing (if you are an author) and dreaming.

Elise

3 Comments

Filed under What Elise Wrote