Category Archives: Elise McCune

What Elise Wrote-Today

The working title for my work-in-progress is One Bright Day and my story does seem shiny and bright (except for when I come to a great stumbling block in the plot). Now I have made a deadline to finish the novel I find that the words are flowing more easily. Still, I do have some way to go yet until I finish.

It’s April, 1921 and the war that impacted so many people has been over for three years. I’m spending time with Ellen, who at this moment is walking along taking in the sights of historical London. It’s Ellen’s first overseas journey and she left her home in southwestern Australia with some trepidation. It’s the English spring, and there’s nothing like a fine, spring day in England and Ellen and a friend are going on a picnic in Regent’s Park. Ellen is an artist and takes her sketchbook wherever she goes I wonder what she sketched today.

Regent’s Park, London

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Ellen, for a very special reason, goes to St Pancras Old Church in London so I’ve researched part of its history. (I love research and finding some little gem to include in my story.) I found this!

In the churchyard of St Pancras Old Church in London, an ash tree is circled by gravestones.

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Thomas Hardy (before turning to writing full time) studied architecture in London under Mr. Arlhur Blomfield, an architect based in Covent Garden. During the 1860s the Midland Railwayline was being built over part of the original St. Pancras Churchyard. Blomfield was commissioned to supervise the proper exhumation of human remains and dismantling of tombs. He passed this unenviable task to his protegé Thomas Hardy in. c.l865. Hardy would have spent many hours in St. Pancras Churchyard overseeing the careful removal of bodies and tombs from the land on which the railway was being built. The headstones around this ash tree would have been placed here about that time. The tree has since grown in amongst the stones.

It’s fun writing a story!

I particularly enjoy setting my stories in Australia but sometimes my characters travel overseas. In this story it is to England and I have glimpses of the Middle East in WW1.

This the gate Ellen walks through to visit an abandoned house.

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I’m looking forward to being a speaker at the HNSA Conference in Melbourne in September (details below).

This celebration of the historical fiction genre will showcase over 60 speakers discussing our theme, inspiration, writing craft, research, publishing pathways and personal histories. http://hnsa.org.au/conference/programme/ Among the many acclaimed historical novelists participating are Kerry Greenwood, Kate Forsyth, Deborah Challinor, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott, Arnold Zable, Gary Crew, Melissa Ashley, Kate Mildenhall, Juliet Marillier, Anne Gracie, Pamela Hart, Kelly Gardiner and Libby Hathorn. http://hnsa.org.au/conference/speakers/

Let’s celebrate historical fiction!

Elise

Ref. The Hardy Tree:   jinx-in-the-sky.blogspot.com

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The Harp in the South by Ruth Park

I will be speaking at the HNSA Melbourne Conference 8th to 10th September, 2017. My session is on Saturday afternoon.

WORLDS AT WAR: THE APPEAL OF 20TH CENTURY HISTORICAL FICTION
The history of the early to mid-20th century now falls within the definition of ‘historical fiction’. Why do novels depicting the great conflicts of modern times hold such fascination? And has war fiction replaced Tudor fiction as ‘the favourite flavour’ for readers and publishers? Julian Novitz discusses these questions with Paddy Richardson, Elise McCune, Justin Sheedy and Julian Leatherdale.

The main menu of the website (2017 Programme) is broken into the following sub-menu:

This is my fifth review for the Australian Women Writer’s Challenge.

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The Harp in the South by Ruth Park is one of my favourite books. It was first published in 1948 and was Ruth Park’s first novel. Set in the 1940’s it tells the story of the Darcy family who live in a small terrace house in Surrey Hills, a working class suburb of Sydney: Roie and Dolour, their parents Hughie and Margaret (Mumma) and Mr Diamond and Miss Sheily who rent the two attic rooms in the house. Hughie has a job at a foundry, but is often off sick due to the effects of the sly grog he imbibes. Mumma tries to be a good Catholic wife. They once had a little son,Thaddy, but one day he was playing outside on the pavement and disappeared never to be seen again. The lose of Thaddy leaves a hole as big as the sky in Mumma’s heart.

Ruth Park

Rosina Ruth Lucia Park (24 August 1917 – 14 December 2010) was a New Zealand–born Australian author. Her best known works are the novels The Harp in the South (1948) and Playing Beatie Bow (1980), and the children’s radio serial The Muddle-Headed Wombat (1951–1970), which also spawned a book series (1962–1982).


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The main theme is the influence of the Catholic Church and poverty and hardship. When I read The Harp in the South I am in awe of how Ruth Park, a young woman at the time of writing this novel, had such insight into the lives and loves and despair of the people who lived at Twelve-and-a-Half, Plymouth Street. And she understands that they enjoyed being part of a family and the wider community and also that they considered themselves lucky.

In October 1945, the Sydney Morning Herald announced an art and literature grant that included a two-thousand pound prize for the best novel. In December 1946, Ruth Park (aged twenty-six) learned that out of 175 entries, her book about the Irish-Australian family had won.

The Harp in the South, wrote war poet Shawn O’Leary in the review that accompanied the announcement, ‘bludgeons the reader about the brain, the heart, and the conscience.’ It became an Australian classic, acclaimed by literary critics and so loved that it is yet to go out of print and is published in 37 languages.

The Harp in the South is a wonderful book, a quintessential Australian story that I reread often with something amounting to glee.

Perhaps in some other time she would find him here in this room, this dirty dark room that had now been enhaloed and enchanted as the tomb of Joseph of Arimathea after the Resurrection. She looked up at the ceiling; neither the stained plaster nor the clotted webs did she see, only the dark and fathomless and immortal sky, and beyond it Him who chose to walk in the ways of the poor and the forgotten as He walked in His garden. 

Ruth Park

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Good reading and writing

Elise

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The Wild Girl by Kate Forsyth

Kate Forsyth is the HNSA Patron at the  HNSA Conference Melbourne
8th -10th September 2017.

 Visit our speaker’s page www.hnsa.org.au/speakers for more information.

SUBSCRIBE to our newsletter to hear when early bird registration opens http://eepurl.com/bgWm49 And 

Kate Forsyth wrote her first novel at the age of seven, and is now the award-winning & internationally bestselling author of more than 20 books for both adults and children.

Beauty in Thorns, the extraordinary love story behind the Pre-Raphaelite artist Edward Burne-Jones’s famous painting of ‘Sleeping Beauty’. Other novels include The Beast’s Garden, a retelling of ‘Beauty & the Beast’ set in the underground resistance to Hitler in Nazi Germany; The Wild Girl, the story of the forbidden romance behind the Grimm brothers’ fairy tales; and Bitter Greens, a retelling of ‘Rapunzel’ which won the 2015 American Library Association Award for Best Historical Fiction. Named one of Australia’s Favourite 15 Novelists, Kate has a doctorate in fairy tale studies and is an accredited master storyteller.

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The Wild Girl  by Kate Forsyth is storytelling at its best. I enjoyed the richness of the words, the characters who were brought to life and the story which is about love and overcoming adversity. It is a blending of historical fact and fiction. Kate Forsyth has researched the events in the novel and in the afterword the author writes that she listened to the story within the stories that Gretchen told. This helped to plausibly fill in the blanks in Gretchen’s life.

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From the back cover:
Dortchen Wild is drawn to the boy next door, young and handsome fairy tale scholar Wilhelm Grimm. They live in the German kingdom of Hessen-Cassel in the early nineteenth century in a time of war. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Living under French rule, the Grimm brothers decide to save the old tales that had once been told by the firesides of houses grand and small all over the land.
Dortchen knows many beautiful old stories and as she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen’s father has other plans for his daughter. Marriage is an impossible dream.
Dortchen can only hope that happy endings are not just the stuff of fairy tales.

As a lover of history The Wild Girl had me turning the pages. I enjoyed the historical facts of Napoleon’s advance, then retreat, through Europe. I have an interest in plants and flowers and found the glimpse into how flowers and herbs were used at the time, as both medicines and to help people achieve their desires, added to the richness of the story.

The abuse that Dortchen suffers at the hands of her father, one of the people in her life who should protect her, was handled well, although one particularly harrowing scene was not to my liking. I can, however, see the need for this scene as it explains future happenings in the plot.

Excerpt from the first page:
‘Snow lay thick on the ground. The lake’s edges were slurred with ice. The only colour was the red rosehips in the briar hedge, and the golden windows of the palace. Violin music lilted into the air, and shadows twirled past the glass panes.’

In The Wild Girl Kate Forysth enchants with her descriptive powers, engages the reader with the story, and most of all Gretchen and Wilhem are vividly brought to life.

Elise

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Castle of Dreams

Photos I used as inspiration in writing the historical narrative in Castle of Dreams.

Robert Shine and Vivien Blake                    Vivien typing a letter


Rose Blake


Paronella Park aka Castillo de Suenos 


Jacaranda trees in Brisbane

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I was wondering how I could weave the Pacific War through my story when I discovered by a serindipitious happening that Australian and American Service personnel visited the castle for rest and recreation during the war years. They came out to the Saturday night dances, went canoeing on the lake with their Cairns and Innisfail girlfriends.

Castle of Dreams will be published in Norwegian in April 2017 and re-printed in Australia in June 2017. I hope you enjoy reading it as much as I loved writing it!

Elise

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The Storyteller

‘Storyteller Under Sunny Skies,’ a clay sculpture by Rose Pecos-Sun Rhodes (Jemez Pueblo), 1993, in the permanent collection of The Children’s Museum of Indianapolis

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Early storytelling most likely originated in simple chants. People sang chants as they worked at grinding corn or sharpening tools. Our early ancestors created myths to explain natural occurrences. They assigned superhuman qualities to ordinary people, thus originating the hero tale.

Journeying from land to land, storytellers would learn various regions’s stories while also gathering news to bring back with them. Through exchanging stories with other storytellers, stories changed, making it difficult to trace the origins of many stories.

I write time-slip novels with one narrative set in the past. I hope I create stories that engage the reader and my plot  has them turning the pages. The wonderful thing about being a storyteller is being able to bring characters to life so that when a reader finishes your novel the characters live on in their imagination. Research for historical fiction can be overwhelming. If an author wants to convince a reader there is no room for error although on saying that I’ve read the most wonderful and well researched books that have included an incorrect historical detail and it has not detracted from the story. Someone once told me about carpet weavers in India who always make sure to leave a flaw in a finished carpet to show only God is perfect. Research is a long piece of string but on the whole it’s crucial historical details are correct so we can bring the dusty, cobwebbed world of the past to life.

When I write I like to focus on the beauty of the writing and intricate issues. A story that provides a means to better understand the world. A story driven by my characters and one that keeps my readers turning the page.

But the most important thing to remember is that authors are storytellers and must enchant the reader which is easier to do in some stories than others.

One of my favourite books is Speak, Memory an autobiographical memoir by writer Vladimir Nabokov. It’s been on my shelf since my teenage self found it in a Sydney  bookstore and it’s a book I reread.

Vladimir Nabokov writes:

‘There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer…The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought…Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass.’

Excerpt: Paris Review No. 40

‘There is no doubt that Nabokov feels as a tragic loss the conspiracy of history that deprived him of his native Russia, and that brought him in middle life to doing his life’s work in a language that is not that of his first dreams.’

Enchantment is such a lovely word, the sound of it, the meaning it brings to mind.

Oxford Dictionary of English:

Enchantment

1 a feeling of great pleasure; delight: the enchantment of the mountains.
2 the state of being under a spell; magic: a world of mystery and enchantment.

I hope the new novel I’m working on tells a story that is full of enchantment and mystery and that my readers want to keep turning the pages.  And because it has a magical garden at the heart of the story I thought I’d give you a glimpse of the garden that inspired me.

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Have a wonderful day, dreaming, writing and reading and most of all I hope it is full of enchantment.

Elise

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Georgiana Molloy, the mind that shines by Bernice Barry

This is the first book read and my first review for the Australian Women Writer’s Challenge, 2017.

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Georgiana Molloy, the mind that shines, is a biography of one of Australia’s first female botanical collectors who to quote the biography: ‘Her life began where England and Scotland meet, near the wide mouth of the Solway Firth . . .’ I lived in the southwest of Western Australia for several years so I know the area where the biography is set and Bernice Barry brings it to life. Georgiana was self-taught and her specimens of indigenous flora from Augusta and Busselton are now held in some of the world’s leading herbarium collections.

It is a well-researched book and obviously a labour of love for the author who is a fine writer.

The book with its lovely cover, exquisite photos of wildflowers throughout, and other images that enhance the narrative is one to read and keep on your bookshelf forever. And the endnotes are a great source of further reading.

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Bernice Barry lives on WA’s southwest coast near the place where Georgiana Molloy arrived in 1830. Bernice has been researching the lives of Georgiana and John Molloy for more than a decade.

I loved this biography and I hope it ends up on every non-fiction and biography shortlist. And wins.

Good reading,

Cheers, Elise

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Persian Gardens: Meanings, Symbolism and Design.

It’s very quiet in my garden other than the birds singing an early morning song.

I am writing about an abandoned garden so I thought I’d share some of my research with you.

 Persian Gardens. 

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Textures and shapes are important in the overall structual design in Persian Gardens so as to harness the light. Iran’s dry heat makes shade important where  trees and trellises feature as shade and pavilions and walls block the sun.

Persian Violets

Greenhouses, glasshouses

The Persian garden integrates indoors with outdoors through the connection of a  surrounding garden with an inner courtyard. And often architectural elements such as vaulted arches are added between the outer and interior areas to open up the divide between them.

Persian Garden Layout on Carpet

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Culture and identity in a society can be represented in the architecture and the meanings intertwined with it. In this sense, the architecture and design are the interface for transferring meaning and identity to the nation and future generations. Persian gardens have been evolved through the history of Persian Empire in regard to the culture and beliefs of the society. the patterns of design and architecture in Persian gardens and the meanings intertwined with their patterns and significant elements such as water and trees. Persian gardens are not only about geometries and shapes; but also manifest different design elements, each representing a specific symbol and its significance among the society. 

Garden has been defined as ‘the purest of human pleasures and the greatest refreshment to the spirits of man’ (Bacon 1883). According to Hunt, gardens are “concentrated or perfected forms of place-making’ (Hunt 2000). Garden is also perceived as a symbolic site, resulting from the human’s attempts to materialize Eden on the earth (Alon- Mozes 2004). In the Greek text of the Bible, a garden has been expressed as a “paradise”. In Hebrew “Eden” is translated to an unidentified region or country. In Persian literature, the word garden “pardis” derives from the word “paridaiza” which literally means “walled garden“ and it has been summed up as a luminous and perfumed place, populated by a number of angelical and beautiful creatures (Babaie 1997).

 A mystical feeling for flowers and a love of gardens are integral parts of ancient Persian gardens. The Persian garden is a manifestation of supreme values and concepts and is well-known as a bridge connecting the two worlds of matter and meaning.

The philosophical design concept of Persian gardens is believed to be rooted in the four sacred elements of water, wind, fire and soil. The geometrical design of Persian gardens has been reflected in Persian carpets, potteries and visual arts. The other distinctive feature of Persian gardens, which contributes to the introspective characteristics of ancient Persian people, is the wide application of thick brick walls, which surround the entire rectangular plan of the garden. Other traits of Persian gardens include: the application of perpendicular angles and straight lines, ponds and pools to supply the water and highlight the scenic landscape view, simultaneous use of evergreen and deciduous trees, planting of various types of plants and consideration of focal a pavilion known as Kooshk.

I’m so glad I discovered, serendipity definitely,  this very enlightening, well-written, and researched article. If you have an interest in the gardens it’s well worth reading.

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I like to weave a little magic through my stories. Writing a novel is rather like taking a magic carpet ride for who knows where you’ll end up? Most times lately it’s in a garden.

 

Reference: Leila Mahmoudi Farahani, Bahareh Motamed and Elmira Jamei.

Deakin University, School of Architecture and Built Environment, 1 Gheringhap St, Geelong; 3220, Australia

This is an Open Access article distributed under the terms of the Creative Commons Attribution on License (http://creativecommons.org/licenses/by/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

ISSN 1865-1542 – http://www.landscapeonline.dehttp://dx.doi.org/10.3097/LO.201646

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Nizar Tawfiq Qabbani and Damascus

I am researching and writing a novel set against the backdrop of the First World War. It is partly set in Australia: Margaret River and the Tumut Valley and in London and the Middle East. It is a time-split novel and has two casts of characters who are connected across time. And the research is a such joy!

One character is botanist and and another an artist who live a hundred years apart yet are connected by botanicals. The modern day botanist brings abandoned gardens to life and the hundred years ago artist paints images of the wildflowers she has collected.

One of my male characters joins the Light Horse Regiment (conveniently raised in Western Australia where part of the novel is set) and another travels to England and becomes a pilot.

The 10th Australian Light Horse Regiment AIF was the only AIF regiment recuited in Western Australia during the First World War.

My research lead me to the city of Damascus. 

In 1917 the 10th Light Horse Regiment were part of the Desert Column that advanced into Palestine. The regiment participated in the bloody battles to break the Gaza-Beersheba line and helped capture Jerusalem. They participated in the Es Salt Raid in May 1918. In August they were one of the regiments re-equipped with swords and rifle boots, and retrained to take a more orthodox cavalry role. In their new role they took part in the rout of the Ottoman army in the Jordan Valley, a campaign the light horse referred to as ‘The Great Ride’. In September the 10th was the first formed regiment to enter Damascus.

I spent time in Egypt some years ago and felt a connection to the culture and the history of the Middle East so a great joy for me while researching was my discovery of the poet Nizar Tawfiq Qabbani and his exquisite poetry.

Nizar Tawfiq Qabbani (Arabic: نزار توفيق قباني‎‎, Nizār Tawfīq Qabbānī) (21 March 1923 – 30 April 1998) was a Syrian diplomat, poet and publisher. His poetic style combines simplicity and elegance in exploring themes of love, eroticism, feminism, religion, and Arab nationalism. Qabbani is one of the most revered contemporary poets in the Arab world.

Nizar Qabbani was born in the Syrian capital of Damascus to a middle class merchant family. Qabbani was raised in Mi’thnah Al-Shahm, one of the neighborhoods of Old Damascus.

Part of Verse 14: Damascus, What are you Doing to Me.

I put on the jubbah of Muhyi al-Din Ibn al-Arabi
I descend from the peak of Mt. Qassiun
Carrying for the children of the city . . .
Peaches
Pomegranates
And sesame halawa . . .
And for its women . . .
Necklaces of turquoise . . .
And poems of love . . .
I enter . . .
A long tunnel of sparrows
Gillyflowers . . .
Hibiscus . . .
Clustered jasmine . . .
And I enter the questions of perfume . . .

  1. Gillyflower
  2. A Syrian cat sitting behind a jasmine vine

Have a wonderful day (I am spending the afternoon with friends at  a lovely house with a walled garden).

Cheers, Elise.

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Gremlin Special Crash

Readers of  my novel Castle of Dreams often ask me about the Gremlin Special crash which was the inspiration for part of the narrative.  It’s a fascinating story and one I’d like to share with you.

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Excerpts.

Stella, Rose’s granddaughter. 

I scribbled all the details down in my notebook. Nothing I could have imagined about Nan’s past was as fascinating as the true story of her lost love: a soldier who died in a fiery plane crash. No matter how many years had passed since then, her story was tragic. I felt a deep sense of sadness as I watched her squint to pick up a dropped stitch. I could only guess the effort it must have taken to talk about Robert’s death. As if to confirm my thoughts, she finished the row, wrapped her knitting around the needles and put it down in her lap. 

*******

Tom, Robert’s friend who survived the plane crash.

‘I was woken by birdsong. In the dim morning light I unwrapped myself from the tarpaulin slowly and painfully, as if from a shroud, and stood up. I’d heard a search plane during the night and saw what I thought was the light of a flare, but the plane had flown on, not noticing the still-smoking wreckage under the thick jungle canopy. I put if out of my mind. I had to focus on staying alive and not give in to despair.

I bent down and gently shook Robert’s shoulder. He didn’t move, so I knelt and pulled back the canvas. Believing him sleeping soundly, I touched his cold face, shook him harder. He didn’t respond. It was only when I saw the dried blood on his neck where it had trickled down from his ear that I knew he was dead.’

*******

The Gremlin Special was a Douglas C-47 Skytrain that crashed during a sightseeing flight for U.S. servicemembers over the Baliem Valley (‘Shangri-La Valley’) in New Guinea in 1945. The recovery of the three survivors from an isolated valley surrounded by mountains, enemy troops, and native inhabitants was incredible.  There were 5 crew and 19 passengers and only 3 people survived the crash.

The New Guinea jungle is the biggest graveyard for crashed planes in the world and the recovery of the three survivors from an isolated valley surrounded by mountains, enemy troops, and native inhabitants made worldwide news at the time.

The three survivors were spotted on the ground during an air search. Two medical paratroopers were deployed to the site, followed by 10 other support troops. A journalist, Alexander Cann was dropped into the site to document the rescue attempt. The high-altitude rescue was performed using Waco CG-4 gliders towed by a Douglas C-47 Skytrain. Three separate rescues were performed by towing a glider with single pilot into the valley. The glider was then loaded and configured for a live capture by the tow plane which recovered the survivors, towing them back to a base in Hollandia.

This is the original video of the rescue.

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Sergeant Kenneth Decker, Corporal Margaret Hastings, and Lieutenant John McCollom. 

I’ve enjoyed sharing some of the research I did for Castle of Dreams with you.

Cheers, Elise.

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Outlander by Diana Gabaldon

15078865_10153930399541712_887778448076687684_n.jpgDual timeline stories are a favourite of mine and I have discovered the novels of Diana Gabaldon. I am reading Outlander (published in the United Kingdom as Cross Stitch in 1991) the first in a series of eight (so far) historical multi-genre novels.

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The main narrator is Word War II nurse Claire Randall, married to Frank Randall, who steps through a stone portal in Scotland and travels back in time to 18th century Scotland and finds romance with dashing Jamie Fraser.

The Outlander series is several genres: historical fiction, romance and fantasy. Outlander won the Romance Writers of America’s RITA Award for Best Romance of 1991.

It was through the Outlander series on Netflix that I found my way to the books.

Diana Gabaldon is the New York Times bestselling author of the wildly popular Outlander novels—Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes (for which she won a Quill Award and the Corine International Book Prize), An Echo in the Bone, and Written in My Own Heart’s Blood—as well as the related Lord John Grey books Lord John and the Private Matter, Lord John and the Brotherhood of the Blade, Lord John and the Hand of Devils, and The Scottish Prisoner; two works of nonfiction, The Outlandish Companion, Volumes 1 and 2; the Outlander graphic novel The Exile; and The Official Outlander Coloring Book. She lives in Scottsdale, Arizona, with her husband.

Courtesy: Penguin Random House

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Go Tell the Bees that I Am Gone is the ninth book in the Outlander series.

It’s an old Celtic custom to talk to your bees.  I wrote about bees in my recently published novel Castle of Dreams:

‘ . . .  We have an orchard and there’s an old apple tree with a low branch and a bees’ nest stuck fast into it. We have several hives. They keep us supplied with honey.’

     ‘I like bees,’ said Vivien. ‘My mother has beehives and tells them every significant event– every birth, marriage and death that occurs withing the community.

Old folklore.’ said William. He turned to Robert with a knowing smile. ‘My wife’s parents live in a strange falling-down castle in far north Queensland. Superstition came from Ireland with Vivien’s mother. She’s an unusual woman. 

     Vivien frowned. While what he said was true, she wondered why he’d told a stranger about her mother’s eccentricities. ‘The bees foretell death when they abscond from their hive,’ she said stubbornly. She knew William didn’t like it when she referred to her mother’s beliefs.

     ‘Vivien, surely you can’t believe that,’ William said coldly.

     ‘If the bees become hurt by neglect, you will suffer the consequences,’ she continued.

     Robert nodded, his expression serious. ‘I remember returning from my grandfather’s funeral and finding that the bees had absconded from their hives,’ he said.

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So plant lots of bee-loving flowers in your garden and if you have bee hives remember to talk to your bees.

My work-in-progress is another dual timeline story and I am writing about all things botanical. For this reason I’m sure there will be a few bees flying around pollinating all the blooms on Wallcliffe and the yet-to-be-named rambling estate in the Tumut Valley. It’s a story that includes all the things I love: mystery, romance, history and how the past  influences the present.

Good reading and writing,

Elise

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