Category Archives: Allen & Unwin

The Age of Light by Whitney Scharer

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I wrote about a WW2 photographer in my own novel Castle of Dreams and I wrote about light as a means to find my way into the story.
Light streamed in through the window, warmed the varnished timber panelling of their compartment, and encased Vivien with Robert and William, like insects trapped in amber. 
Reimagining the lives of famous people who have left an historical legacy is challenging.  I recently read ‘Becoming Mrs Lewis’ by Patti Callaghan and the author inhabits Joy Davidson the wife of C S Lewis. It is a wonderful novel. Now I can’t wait to read The Age of Light a novel about photographer and model, Lee Miller, by Whitney Scharer. I have had an interest in Lee Miller since I found a biography about her on my daughter’s bookshelf some years ago.
The Age of Light is a novel I am going to hurry out to my local bookshop and buy as a gift to myself. Titles are one of the hardest things for a novelist to come up with and this one is perfect. 
ELLEN WEINSTEIN FOR THE BOSTON GLOBE

Women have always paid a steep price for artistic genius.

Take, for instance, sculptress Camille Claudel, who was as talented as her lover, Rodin, felt he took credit for her work, and spent the last 30 years of her life in an insane asylum. Or consider the painter Dora Maar, who had a long-term relationship with the physically abusive Picasso, before being crippled with a horrific breakdown.

And now here, in her dazzling debut novel, “The Age of Light,’’ the prodigiously talented Whitney Scharer reimagines the life of photographer Lee Miller, who was first a fashion model then a protégé to surrealist Man Ray, eventually coming into her own as a brilliant artist, all the while stubbornly refusing to let the male gaze destroy her own.

Scharer, who flipped the script by commanding a seven-figure advance for her own artistry, offers a kind of transcendent ghost story, where the past never seems to leave the present’s side. Her narrative moves hypnotically back and forth through time and through three very different Lees, starting with her early days in glittering Paris with Man (as Lee refers to him), when she’s just 22. After meeting the artist in an opium den, she rejects his offers to be just his model, muse, or lover, and instead determinedly pushes him to teach her how to print a photograph the right way.

But Man betrays her, claiming Lee’s work as his own, even though he had no hand in it, giving her the reason that “[y]our eye is my eye. You’re my model. My assistant. My lover.” How could Lee do anything else but plot her own revenge?

There is the Lee Miller who photographs the devastation of World War II, giving up her silks and satins for rugged army pants.

And there is finally the Lee Miller who retreats to a farm with her British painter husband Roland, becoming a food writer and Cordon Bleu chef, grappling with her rage about how things turned out for her, and cooking up recipes and articles instead of adventures.

But then her editor prods her to give up her food writing and instead tell the blistering story of her time with Man Ray, and while the editor is interested in the more famous man, Lee knows the story is truly hers, not his, and she insists on one very telling condition: All photographs used in the piece must be hers, rather than Man’s.

Lee is haunted by this story, but she also carries with her other betrayals and tragedies — all by men she trusted — striking the narrative like little electric shocks. An uncle rapes her when she’s just a girl. Her adored father urges her to take her dress off and stand naked so he can capture her nudity on film. Are these men any different from Man whose love for Lee comes with a price tag: that he be allowed to use her for his own purposes?
The book is so much about the difference in what we believe to be true and what is true, how a photograph can be absolute truth (Lee takes a photo of Buchenwald and captions it “Believe It”) or manipulated (What is more deliberately artificial than a fashion shoot?). But when it comes to herself and her life, the lines of reality blur for Lee. When Lee herself is photographed, she floats out of her body, completely unmoored in the moment. She even observes her own relationship with Man from a distance, as if she might be another person watching and judging, daring Lee to prove that they are a couple.

Part of the heady pleasure of Scharer’s novel is the writing, which is as seductive and beautiful as her descriptions of the shimmery satin kimonos in the opium den. Juxtaposed with that flossy Paris time is the war, where she points out “the bombed-out tableaux arranged before her like the work of some Surrealist set designer. A church destroyed, but a typewriter balanced on the rubble before it.’’ There are “malnourished babies dying in Viennese hospitals, their rib cages delicate as pick-up sticks.” And finally, there is food and drink, so intensely presented that your mouth might water, including a “baked Camembert, so rich and stinky it makes Lee’s tongue ache,” and the pleasure of a gin martini, “cold and clear as a glass of diamonds.”

An absolutely gorgeous and feminist novel about art, love, and ownership, “The Age of Light’’ is truly a work of art in itself, both deeply moving and thrilling. Want to know what it’s like to be an artist? Read this astonishing novel and then, like Lee Miller, take time to consider the extraordinary cost she paid to be herself.

THE AGE OF LIGHT

By Whitney Scharer

Little, Brown, 384 pp., $28

Caroline Leavitt’s latest novel is “Cruel Beautiful World.’

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Persephone Books, London

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I have never visited the Persephone bookshop but plan to do so when I am next in London. They have kindly sent me The Persephone Biannually since I first discovered their books in 2011 and I recently received No 22 Autumn/Winter 2017-18. It is now available to read  on their website for overseas customers.

Persephone Books reprints neglected fiction and non-fiction by mid-twentieth century (mostly) women writers. All of our 125 books are intelligent, thought-provoking and beautifully written and are chosen to appeal to busy people wanting titles that are neither too literary nor too commercial. We publish novels, short stories, diaries, memoirs and cookery books; each has an elegant grey jacket, a ‘fabric’ endpaper with matching bookmark, and a preface by writers such as Jilly Cooper, David Kynaston and Elaine Showalter.        Reference: Persephone website

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Interior Persephone Bookshop

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And don’t you love the window display?

While the Christmas period is a busy one I made time to start a new novel and while it doesn’t have a working title as yet there is something magical about writing the first word of a new story on the first day of a new year.

‘For last year’s words belong to last year’s language And next year’s words await another voice.’ ~ T.S. Eliot, Four Quartets

May the joys of the season be with you throughout the coming year.

Elise 

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Castle of Dreams-Slottet i regnskogen

This edition of Slottet i regnskogen (The Castle in the Rainforest) was published in 2017 in hardback with a lovely new wrap-around cover. My Norwegian publisher recently let me know that the paperback edition will be published in 2018.

This is an interview with my Norwegian publisher, Jorid Mathiassen. It is posted on the Cappelen Damm website.

The castle in my story was inspired by castle ruins at Paronella Park in the far north Queensland rainforest.

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What was it about Paronella Park that most captured your imagination?

I visited Paronella Park in far north Queensland, Australia with my daughter, an actor,who was filming at nearby Mission Beach. Lisa had visited the park in the rainforest and wanted to show me the castle ruins. The beautiful setting captured my imagination: I glimpsed the past, imagined those long ago people who danced in the now deserted ballroom under the shining glitter ball. When I discovered Australian and American servicemen visited the castle (before it was destroyed by a cyclonic flood in the late 1940’s) during the Pacific War it the perfect place to set my story about two sister’s who each fall in love with the same American serviceman.

For you, did the setting come before the story?

The setting came before the story. The mystery of the castle and the story of the Catalonian immigrant who built the castle in the rainforest stayed with me. It was a unique setting because in Australia we more easily associate castles with Europe or the Middle East .

You’ve chosen to write about the journey of two sisters, bound by blood yet diminished by love. Why sisters?

I think blood ties make any betrayal worse and have a greater impact on your life than any betrayal between friends. It is something that stays with you for the rest of your life. It was my Australian publisher, Louise Thurtell, from Allen & Unwin who suggested that the two women in my story be sisters as I’d written them as friends. It was a great suggestion and I immediately felt comfortable with Louise’s suggestion. I found a quote from Maya Angelou that says this perfectly: The thorn from the bush one has planted, nourished and pruned, pricks more deeply and draws more blood.

Your novel’s narrative moves smoothly between the past and the present. What appealed to you about this structure?

I have always enjoyed reading time slip novels and I like to write them. The past always impacts on the present and this is what I weave through my stories. I also enjoy researching the past and this adds to my enjoyment.

I love the way you use the environment of the rainforest to set the mood – the bell tower, lightning flashing, or conversations on verandahs amid a symphony of tree frogs and insects with lights in the distance. And towards the end of the novel this beautiful description. Night had fallen. The full moon showered light on the pines above the water. Everything glowed: every patch of grass, every tangled reed. The silvered river splashing over smooth, unseen rocks, and stars as big as silver dollars shining bright in the sky.

Was that a conscious thing or did the setting lend itself to the mood?

I try to bring a scene to life by describing the surroundings as best I can, scents, sounds, visuals, so it becomes almost a character in my stories. And, yes the setting did lend itself to the mood of the story although I tried not to overdo it!

Your book contains lots of twists and turns – which we won’t mention! – how did you plan these out? Did you have a wall chart or a flow chart?

My characters come alive as I write them and eventually I know how they will react in any given situation. I start with the kernel of an idea and end up filling a lot of notebooks with information from my research although I rarely look back at these notes.

This is your first novel. What’s your biggest learning curve?

I have always written: short stories, a memoir, a lost romance novel, and three completed novels in the bottom drawer (the drawer is nailed shut!) but I write everyday even if it’s only a page.

There are no doubt budding novelists reading this. Tell us about how you got published.

I followed the guidelines for Allen & Unwin Australia’s innovative Friday Pitch and emailed some chapters. After a few months my publisher asked to see the finished manuscript. After some rewriting I was offered a contract.

Finishing a novel leaves a rather big hole in an author’s life. What did you fill it with?

I am writing another novel.

What’s the next project?

Another time slip novel, this time with a backdrop of World War One and the present time. I can’t wait to get up each morning and come to my computer to write.

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Tasmanian Times review Castle of Dreams

Rainforest Revelations
Paula Xiberras
14.07.17 6:38 am

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Elise McCune tells me she has been to Tasmania at least five times and loves the feel of the old buildings and of course MONA.

Earlier this year I spoke to Elise about her first novel ‘Castle of Dreams’ and how its idea originated in the discovery of a real castle in the Queensland rain forests by Elise’s actor daughter, Lisa McCune, when she was filming at Mission Beach.

The castle was built by Jose Paronella from Catalonia. For a time he worked in the Queensland rainforests and the castle covered in tropical rainforest helped heal his homesickness reminding him of his childhood home. Nowadays the castle is open to the public and a venue for events like weddings.

When the novel starts, the castle is a ruin that is visited by the granddaughter of Rose, one of the sisters who were the original inhabitants of the castle. The other sister was Vivian. The sisters were very close but grew apart after they both fell in love with the same man, a Second World War American soldier.

One of the wonderful features of the book is its subtle clues to the solving of a great mystery involving the sisters as well as seemingly ordinary events that carry great import. An example is an early scene when the sisters enter the bell tower and one of girls falls sustaining non-threatening injuries. This event long forgotten when reading the book details an event that has long reaching repercussions.

There are also beautiful descriptions that in hindsight can be seen as metaphorical such as the anecdote of the egg that is ‘clean and empty’. This again could be easily read over, yet is one of the subtle clues that demonstrates lives fractured like fragile egg shells

With the castle setting and family secrets the novel fits into the gothic genre, but ironically sans the cold and dark of the customary gothic, swapping it instead for tropical rain forest setting. Elise has given us a novel of rare beauty that matches that of the exquisite forest setting.

‘Castle of Dreams’ is  published by Allen and Unwin

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Castle of Dreams

Photos I used as inspiration in writing the historical narrative in Castle of Dreams.

Robert Shine and Vivien Blake                    Vivien typing a letter


Rose Blake


Paronella Park aka Castillo de Suenos 


Jacaranda trees in Brisbane

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I was wondering how I could weave the Pacific War through my story when I discovered by a serindipitious happening that Australian and American Service personnel visited the castle for rest and recreation during the war years. They came out to the Saturday night dances, went canoeing on the lake with their Cairns and Innisfail girlfriends.

Castle of Dreams will be published in Norwegian in April 2017 and re-printed in Australia in June 2017. I hope you enjoy reading it as much as I loved writing it!

Elise

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Big Country Book Club-Q & A Elise McCune

‘Smart publishing guru, Bernadette Foley, has come up with a great idea – Big Country Book Club. This is an online book club which you join and buy books from a selected choice of titles made by a publisher and editor who understands books and writing. Plus, it’s like being part of a book club even if you never leave home.’

Di Morrissey, The Manning Community News

Q&A with Elise McCune, author of ‘Castle of Dreams’

June 6, 2016
Castle of Dreams was a May Book of the Month at BCBC. Now its author, Elise McCune, tells us about her writing process, her inspiration and the importance of light as a theme in her novel.

Elise is fascinated by photography, as visitors to her Facebook page will see, and she has illustrated this Q&A with some great images that inspired the characters and places in Castle of Dreams.

1. Before talking about words I would like to ask you about images. Photos seem to be important to you as you create your stories. Is that right?

Yes, I search the Internet for photos of people and places that will be the inspiration for my characters and settings in the novel. I post some of these photos on my Castle of Dreams boards on Pinterest. I also put any relevant photographs at the beginning of the chapter I am working on. Sometimes it might be an historical photograph of some unknown person in a magazine ad or a movie star. I use these photos to bring my characters to life in my mind.

This photo inspired me when I was writing the character of Vivien

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This shot inspired me when I was creating Rose.

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2. Following this idea, what inspired you to make Vivien, one of your leading characters, a photographer? How unusual was that profession for women in her time, just after World War Two?

It was not that unusual. Women have had an active role in photography since its inception. While researching I found that in 1900 British and American censuses women made up almost 20 percent of the profession at a time when it was unusual for women to have a profession.

Many Australian women photographers worked before the Great War and more did hand colouring and darkroom work. At that time it was thought that ‘lady operators’ should only photograph women and families. By WW2 women photographers were working in advertising and portraiture and the worlds of fashion and theatre.

I made Vivien a photographer because I wanted to have a motif of light through the story. The American soldier is named Robert Shine and the rainforest is lit with filtered light and the sparkling glitter ball that hangs from the ceiling in the castle’s ballroom showers the dancers with light. There are many references to light in the story.

3. Where did you begin with this novel? With the characters? An idea about secrets, or a sense of place and Castillo de Sueños in particular?

The seed of the idea for Castle of Dreams came to me when I visited the ruins of a castle in the rainforest at Paronella Park with my daughter and the little ones in our family. It’s a beautiful place and while it didn’t come to me straightaway as these things sometimes don’t, I started to imagine what secrets those old ruins might hold and wonder about the people who had once lived there. So it was a sense of place and the ruins at Paronella Park that were the inspiration for my story.

4. How important was it for you to visit the castle in North Queensland to help the writing?

It was very important to have visited the castle ruins and when I discovered that the American servicemen who were stationed in the area during the Pacific War came out to the castle for Saturday night dances and for recreation I had another link to my story.

The falls and pool at Paronella Park. PHOTO: Luke Griffin, Deisel Photography.

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5. The historical accuracy in Castle of Dreams is so important and you have achieved it beautifully. Can you tell us about your approach to research?

Firstly, I had a wonderful friend in Luke Evans. Luke’s parents own Paronella Park and he happily answered my many questions about the history of the castle.

I also read primary sources: diaries, letters and newspaper reports. I read fiction and non-fiction books written about and of the period. I love Trove and Ask a Librarian, an online resource at the National Library of Australia. I use Google but online information can be inaccurate so I always check it carefully from more than one source. I use my wonderful local library and inter-library loans for books I don’t necessarily want to keep on my bookshelf or cannot find, and I always read bibliographies carefully in each book as they are a source of more information. I also talk to experts in any particular area I am researching.

The ruins of Paronella Park, North Queensland. PHOTO used with the permission of Luke Evans.

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6. Your dedication to your writing is inspiring. What was your writing process for Castle of Dreams?

I woke early and checked emails and then tried to be at my desk and writing by 9.00am. I usually wrote for three hours and this produced a thousand words or so. I could then get on with the rest of my day. In the evening I’d do some research or answer emails. This was the first draft; I had to spend more time on future drafts and I checked all my research again. I found that when I was editing Castle of Dreams I had to make it a priority and spent many more hours at the computer. For months I didn’t watch television or socialise often, although I did make time to exercise. I found this routine worked well for me.

7. How has this process evolved for you?

I have three books in the bottom drawer and with each finished manuscript I discovered ways to make the writing process easier. For me the perfect day is one where I write in the morning and later do some form of exercise: walking, swimming or yoga. This leaves me time to live my life by going to the movies or out to dinner with friends. But, of course, life gets in the way and when it does I just throw my routine out the window.

8. Your novel is set in two periods – during and immediately after WW2 and in the present. What are the difficulties and delights of writing a novel structured in this way?

I love to read books that are structured this way so I guess that’s why I enjoy writing them. With Castle of Dreams I should have had a timeline printed out and a floor plan of any dwellings that both my WW2 characters and my present day characters use. I got it right in the end but would have saved time in the writing of the novel to have these to check back on during the writing process and also in the editing stage.

9. This is your first published book; did anything about the publishing process surprise you?

It is such a learning process and so interesting. If I had known about the publishing world as a young woman I would have wanted to be a publisher. Because I didn’t know what to expect nothing surprised me. I consider my publishers are the experts and hopefully I can learn from them and I have asked lots of questions.

10. What advice would you give emerging writers?

Never ever give up. I have three books in the bottom drawer, my apprentice books I call them, and every one of them taught me something. If you don’t have time to write a novel then write short stories, or a blog, or write reviews about other books. Writing should not be at the bottom of a long list of ‘to do’ things, it should be near the top. Treat it like a job, even a part-time job, and not a hobby. Set goals. Those first words are the hardest part. Then rewrite.

Thanks, Bernadette, for having me speak about my writing process on Big Country Book Club.

Thank you for the Q&A and your fabulous novel, Elise

Castle of Dreams by Elise McCune is published by Allen & Unwin

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What Elise Wrote-Castle of Dreams

I am so pleased that readers are enjoying Castle of Dreams.

The Blake sisters’ Vivien and Rose, Captain Robert Shine, an American soldier stationed in Brisbane during the Pacific War, Dave Bailey, mechanic and all round good guy, Ruby who reads the tarot, William who lost a leg at Fromelles and wears an artificial one and Harry who owns the castle.  And in the modern day narrative, Stella  a photographer and the daughter of Linda and granddaughter of Rose, and Jack, Stella’s boyfriend  who is a journalist; if they stepped through the front door this evening I’d know them.

I love montage photos so I thought I’d share some of my favourites with you.

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Have a lovely evening,

Elise

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What Elise Wrote-Castle of Dreams

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How beautiful is this photograph!

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#dieselphotographics #photography#visitnorthqueensland #tourismqld #nikon #tourism#travel #paranellapark #innisfail

Great news…yesterday my publisher at Allen & Unwin emailed congratulations…Castle of Dreams has had a great first week of sales…of course I can’t say how many but she is very happy…

I’ve had so many comments about Castle of Dreams since it was published: people have fallen in love with Vivien, her sister Rose, and the man they both love, American soldier Robert Shine, they love the different backdrops, and they love the story. And for me, storytelling is what books are all about.

The idea of the story came to me after a visit with my daughter to Paronella Park. A Catalonian immigrant, Jose Paronella, built a castle in the rainforest there in the early twentieth century but it was destroyed by a cyclonic flood in 1946. Walking around the ruins of the castle I became aware the past lingered all around and while my characters didn’t intrude on my conciousness that day I’m sure they were whispering in my ear wanting their story told.

It was several months later that the idea for the story finally came to me and my three main characters stepped out into the light. Light ended up being a motif in Castle of Dreams. Robert means bright, shining, so I gave him the surname Shine. Robert Shine, how I love that name. Robert comes from a place in Northern California called Paradise which is near the Feather River where his family cabin is situated.

Vivien, in Arthurian legend, was the name of the Lady of the Lake, an enchantress who was the mistress of Merlin, and I’ve always loved that story. The name I had the most trouble finding was Rose. Her original name was the only name in the book that my editor, Christa Munns, at Allen & Unwin suggested I change. And, she was right,  it was the only name I’d changed several times during the writing of Castle of Dreams and still wasn’t sure about. We tossed around several names one of which was Rose, a name we both loved, and exactly the right name for Vivien’s sister. I do recall that Scarlett O’Hara originally started off as Pansy O’Hara!

My editors have told me that Castle of Dreams is a character driven novel which it is but I also think the atmosphere of the rainforest is a great backdrop and of course the main thing is the story. I love the idea that stories are carried down through generations of people through storytelling. Myths, legends, oral stories that are told around the fire at night before the days of writing and books read in the evenings before television was invented.

I loved writing Castle of Dreams. It came to me, as these things sometimes do, in a moment of serendipity when I visited the beautiful ruins in the rainforest of far north Queensland but it took a few months of looking back over my shoulder until my characters stepped out into the light. And I’m so glad they did!

Good writing and reading,

Elise

 

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What Elise Wrote-Book Launch Castle of Dreams

Hi Everyone,

Castle of Dreams, published by Allen & Unwin Australia was launched by Vikki Petraitis last night at Readings in Hawthorn. Mike Shuttleworth from Readings Hawthorn (a wonderful venue for a launch) organised the event and gave a short introduction and Lisa McCune my lovely daughter spoke next. I must admit I felt a very proud mother while listening to her thoughtful words about me. Lisa then introduced Vikki and myself. Vikki is a well-known true crime writer and a close friend who has given me great insights into writing in the time we have known each other. We did a question and answer that focused on Paronella Park where the main part of Castle of Dreams is set. Her insightful questions made it easy for me to talk to the audience about my visit to Paronella Park and the castle ruins that were the inspiration for Castillo de Suenos. My lovely friend Spanish friend Maribel can pronounce Castillo de Suenos much better than I can and in a beautiful musical voice! No wonder Spanish is called a romance language! I also discussed how I came to be published through Allen & Unwin’s innovative Friday Pitch (every day now) which was started by my publisher Louise Thurtell.  I read a short piece from Castle of Dreams and Vikki then declared Castle of Dreams launched.

After the launch some of us went across to the iconic Glenferrie Hotel. I had booked one table but we needed two and it was a great way to end the evening with family and friends.

Castle of Dreams

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With fellow author Juliet Sampson

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I hope you enjoy reading Castle of Dreams as much as I enjoyed writing it for you.

Elise

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What Elise Wrote-Paronella Park

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Many people have asked me about the castle in Castle of Dreams and where the idea for my novel came from and with the launch on Wednesday evening at Readings in Hawthorn it is the perfect time to tell you a little about the history of the Park and the Catalonian immigrant Jose Paronella who built the castle in the rainforest.

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I am a storyteller first and foremost and while Jose does not appear in Castle of Dreams I feel he would have approved of my story and my depiction of his castle of dreams. I read somewhere that Jose’s grandmother told him bedtime stories about Spanish castles and this inspired him to one day build his own castle. And while castles are more easily associated with Europe and the Middle East, Jose built his castle in the far north Queensland rainforest, the place he called home and never wanted to leave.

José Paronella arrived in nearby Innisfail, Queensland, Australia in 1913, having sailed from his homeland, Catalonia, in northern Spain to plan a splendid life for himself and his fiancée Matilda. He applied for Commonwealth naturalization in 1921, identifying his place of origin as La Vall in the province of Jarona. In fact his full name was José Pedro Enrique Paronella, and he was born on 26 February 1887, in La Vall de Santa Creu, a hamlet in the province of Gerona, north-eastern Catalonia. José worked hard for 11 years, creating his wealth by buying, improving and selling cane farms. While travelling through the beautiful countryside he discovered a virgin forest alongside spectacular Mena Creek Falls – perfect for his dream.

Upon returning to Spain, José discovered that Matilda had married another! Determined to sail back with a bride José proposed to Margarita, Matilda’s younger sister. One year later the happy newlyweds were ship-bound for Australia and by 1929 had purchased the land of José’s dreams. He first built the grand 47-step staircase to shift building materials between the lower and upper level. Here the fun-loving couple had their cottage hand built of stone, and moved in on Christmas Eve.

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The earliest structure, the Grand Staircase, was built to facilitate the carrying of the river sand to make the concrete. First they built a house to live in, then they started on the Castle itself. Apart from the house, which is made of stone, all of the structures were constructed of poured, reinforced concrete, the reinforcing being old railway track. The concrete was covered with a plaster made from clay and cement, which they put on by hand, leaving behind the prints of their fingers as a reminder of the work they had done. They laboured with unswerving determination, until, in 1935, the Park was officially opened to the public. The Theatre showed movies every Saturday night. In addition, with canvas chairs removed, the Hall was a favourite venue for dances and parties.

A unique feature was the myriad reflector, a great ball covered with 1270 tiny mirrors, suspended from the ceiling. With spotlights of pink and blue shining on the reflector from the corners of the hall, it was rotated slowly, producing a coloured snowflake effect around the walls, floor and ceiling. During the mid-sixties the Theatre ceased to be, and the Hall became devoted to functions, particularly Weddings.

Above the Refreshment Rooms was the projection room, and up another flight of stairs was the Paronella Museum. This housed collections of coins, pistols, dolls, samples of North Queensland timbers and other items of interest. Originally, food service was from the lower Refreshment Rooms downstairs.

The concrete slab tables forming the lower Tea Gardens and the swimming pool both proved extremely popular, as they still do today. The avenues and paths were well laid out with the familiar shaped planters which are still to be seen wherever you go in the Park. Two tennis courts were behind the Refreshment Rooms, with a children’s playground, The Meadow, situated near the creek.

Upwards of 7000 trees were planted by José. These included the magnificent Kauris lining Kauri Avenue. A Tunnel was excavated through a small hill. Above its entrances are the delightful stonework balconies. Walking through here brings you to spring fed Teresa Falls, named for his daughter.

The creek is lined with rocks and traversed by small bridges. Some parts have cascades built out of rocks, so the sound of water is always there. The Hydro Electric generating plant, commissioned in 1933, was the earliest in North Queensland, and supplied power to the entire Park.

In 1946, disaster struck. Upstream from the Park a patch of scrub had been cleared and the logs and branches pushed into the creek. When the first rains of the Wet Season came, the whole mass began to move downstream until it piled up against a railway bridge a few hundred metres from the Castle. Water backed up until the weight broke the bridge, and the entire mass descended on the Park. The downstairs Refreshment Rooms were all but destroyed, the Hydro was extensively damaged, as was the Theatre and Foyer.

Undaunted, the family began the task of rebuilding. The Refreshment Rooms downstairs were beyond repair, so this service was moved upstairs, and only the structure of the building recreated. In addition, José built the fountain. The Castle was repaired, the gardens replanted, and the Park was alive again.

Unknown-2    Jose and Margarita Paronella

In 1948, José died of cancer, leaving Margarita, daughter Teresa, and son Joe, to carry on. In time, Teresa married and eventually moved to Brisbane with her husband. Joe married Val in 1952, and they had two sons, Joe (José) and Kerry. Renovations and maintenance meant there was always plenty of work, and the floods of 1967, ’72 and ’74 further added to the load. In 1967 Margarita died, and in 1972, Joe died, leaving Val and the two boys to continue the hard working tradition and keep the dreams alive.

The Park was sold out of the family in 1977 and sadly, in 1979, a fire swept through the Castle. For a time, the Park was closed to the public. Cyclone Winifred in 1986, a flood in January 1994, Cyclone Larry in March 2006, and Cyclone Yasi in January 2011 were all further setbacks and challenges for Paronella Park.

Mark and Judy Evans, the current owner/operators, purchased the Park in 1993 and formulated a plan to put the Park back on the map. They see the Park as a work of art, and work on maintaining and preserving, rather than rebuilding. Small restoration projects have been undertaken, pathways uncovered and improved, and the Museum, an ongoing project, is continuously being enhanced.

In November 2009, the ambitious project to restore Paronella Park’s original (1930s era) hydro electric system was completed. At a cost of $450,000, the system once again provides all of the Park’s electricity requirements. This work, and other environmentally focused initiatives culminated in Paronella Park being awarded Eco Australia’s GECKO award for Ecotourism in 2011. Paronella Park’s life as a pleasure gardens continues as José intended, for visitors, and with social gatherings, particularly weddings, continuing to make use of this unique location.

Paronella Park – The Dream Continues…

The Park gained National Trust listing in 1997, and has been recognised by multiple Regional and State Tourism Awards from 1998 onwards.

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I hope you enjoy reading about my inspiration for Castle of Dreams.

Elise.

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Kind thanks to Luke Evans for permission to use this information.

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Filed under Allen & Unwin, Castle of Dreams, Elise McCune, Paronella Park, What Elise Wrote

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