Monthly Archives: February 2017

The Wild Girl by Kate Forsyth

Kate Forsyth is the HNSA Patron at the  HNSA Conference Melbourne
8th -10th September 2017.

 Visit our speaker’s page www.hnsa.org.au/speakers for more information.

SUBSCRIBE to our newsletter to hear when early bird registration opens http://eepurl.com/bgWm49 And 

Kate Forsyth wrote her first novel at the age of seven, and is now the award-winning & internationally bestselling author of more than 20 books for both adults and children.

Beauty in Thorns, the extraordinary love story behind the Pre-Raphaelite artist Edward Burne-Jones’s famous painting of ‘Sleeping Beauty’. Other novels include The Beast’s Garden, a retelling of ‘Beauty & the Beast’ set in the underground resistance to Hitler in Nazi Germany; The Wild Girl, the story of the forbidden romance behind the Grimm brothers’ fairy tales; and Bitter Greens, a retelling of ‘Rapunzel’ which won the 2015 American Library Association Award for Best Historical Fiction. Named one of Australia’s Favourite 15 Novelists, Kate has a doctorate in fairy tale studies and is an accredited master storyteller.

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The Wild Girl  by Kate Forsyth is storytelling at its best. I enjoyed the richness of the words, the characters who were brought to life and the story which is about love and overcoming adversity. It is a blending of historical fact and fiction. Kate Forsyth has researched the events in the novel and in the afterword the author writes that she listened to the story within the stories that Gretchen told. This helped to plausibly fill in the blanks in Gretchen’s life.

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From the back cover:
Dortchen Wild is drawn to the boy next door, young and handsome fairy tale scholar Wilhelm Grimm. They live in the German kingdom of Hessen-Cassel in the early nineteenth century in a time of war. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Living under French rule, the Grimm brothers decide to save the old tales that had once been told by the firesides of houses grand and small all over the land.
Dortchen knows many beautiful old stories and as she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen’s father has other plans for his daughter. Marriage is an impossible dream.
Dortchen can only hope that happy endings are not just the stuff of fairy tales.

As a lover of history The Wild Girl had me turning the pages. I enjoyed the historical facts of Napoleon’s advance, then retreat, through Europe. I have an interest in plants and flowers and found the glimpse into how flowers and herbs were used at the time, as both medicines and to help people achieve their desires, added to the richness of the story.

The abuse that Dortchen suffers at the hands of her father, one of the people in her life who should protect her, was handled well, although one particularly harrowing scene was not to my liking. I can, however, see the need for this scene as it explains future happenings in the plot.

Excerpt from the first page:
‘Snow lay thick on the ground. The lake’s edges were slurred with ice. The only colour was the red rosehips in the briar hedge, and the golden windows of the palace. Violin music lilted into the air, and shadows twirled past the glass panes.’

In The Wild Girl Kate Forysth enchants with her descriptive powers, engages the reader with the story, and most of all Gretchen and Wilhem are vividly brought to life.

Elise

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Castle of Dreams

Photos I used as inspiration in writing the historical narrative in Castle of Dreams.

Robert Shine and Vivien Blake                    Vivien typing a letter


Rose Blake


Paronella Park aka Castillo de Suenos 


Jacaranda trees in Brisbane

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I was wondering how I could weave the Pacific War through my story when I discovered by a serindipitious happening that Australian and American Service personnel visited the castle for rest and recreation during the war years. They came out to the Saturday night dances, went canoeing on the lake with their Cairns and Innisfail girlfriends.

Castle of Dreams will be published in Norwegian in April 2017 and re-printed in Australia in June 2017. I hope you enjoy reading it as much as I loved writing it!

Elise

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The Storyteller

‘Storyteller Under Sunny Skies,’ a clay sculpture by Rose Pecos-Sun Rhodes (Jemez Pueblo), 1993, in the permanent collection of The Children’s Museum of Indianapolis

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Early storytelling most likely originated in simple chants. People sang chants as they worked at grinding corn or sharpening tools. Our early ancestors created myths to explain natural occurrences. They assigned superhuman qualities to ordinary people, thus originating the hero tale.

Journeying from land to land, storytellers would learn various regions’s stories while also gathering news to bring back with them. Through exchanging stories with other storytellers, stories changed, making it difficult to trace the origins of many stories.

I write time-slip novels with one narrative set in the past. I hope I create stories that engage the reader and my plot  has them turning the pages. The wonderful thing about being a storyteller is being able to bring characters to life so that when a reader finishes your novel the characters live on in their imagination. Research for historical fiction can be overwhelming. If an author wants to convince a reader there is no room for error although on saying that I’ve read the most wonderful and well researched books that have included an incorrect historical detail and it has not detracted from the story. Someone once told me about carpet weavers in India who always make sure to leave a flaw in a finished carpet to show only God is perfect. Research is a long piece of string but on the whole it’s crucial historical details are correct so we can bring the dusty, cobwebbed world of the past to life.

When I write I like to focus on the beauty of the writing and intricate issues. A story that provides a means to better understand the world. A story driven by my characters and one that keeps my readers turning the page.

But the most important thing to remember is that authors are storytellers and must enchant the reader which is easier to do in some stories than others.

One of my favourite books is Speak, Memory an autobiographical memoir by writer Vladimir Nabokov. It’s been on my shelf since my teenage self found it in a Sydney  bookstore and it’s a book I reread.

Vladimir Nabokov writes:

‘There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer…The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought…Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass.’

Excerpt: Paris Review No. 40

‘There is no doubt that Nabokov feels as a tragic loss the conspiracy of history that deprived him of his native Russia, and that brought him in middle life to doing his life’s work in a language that is not that of his first dreams.’

Enchantment is such a lovely word, the sound of it, the meaning it brings to mind.

Oxford Dictionary of English:

Enchantment

1 a feeling of great pleasure; delight: the enchantment of the mountains.
2 the state of being under a spell; magic: a world of mystery and enchantment.

I hope the new novel I’m working on tells a story that is full of enchantment and mystery and that my readers want to keep turning the pages.  And because it has a magical garden at the heart of the story I thought I’d give you a glimpse of the garden that inspired me.

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Have a wonderful day, dreaming, writing and reading and most of all I hope it is full of enchantment.

Elise

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