Monthly Archives: May 2014

Mystery and Mirrors with Tabac Rouge

Ekaterina, I love this.

Ekaterina's Greek Expectations

Over Mother’s Day weekend my sister and I decided to treat Mama Ballerina Botziou to a night of “epic dream-like dance spectacles” with a performance of Tabac Rouge at Sadlers Wells Theatre.

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A Lesson From Scarlett O’Hara

Scarlett O’Hara

Miss Modernist

Here is my published piece from Darling Magazine, “A Lesson From Scarlett O’Hara.” I illustrate the memorable confidence with which we, like Scarlett, must adorn ourselves… and frankly, my dear, I do give a damn, and you should too.

Follow me on Twitter @misscocomae for more literary goodies of greatness.

scarlett

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Stop Forcing the Skinny Greek to Eat More

Great Article

Ekaterina's Greek Expectations

I recently read a fantastic article on Huffpost Women entitled ‘Stop making the thin girl ugly’by blogger Jenni Chiu and felt compelled to add my thoughts, particularly after the Easter break when food and weight has been such a big topic.

In today’s increasingly narcissistic, paranoid society, derogatory comments about a person’s weight seem to be common place and it’s high time that more emphasis was put on body acceptance and healthy attitudes towards our appearance.

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It’s All Greek to Me! Interview with Level 4 Magazine

The fabulous Ekaterina Botziou

Ekaterina's Greek Expectations

This month I was interviewed by the lovely Michelle Coomber for Southend-on-Sea’s publication Level 4 Magazine, which promotes art, culture and entertainment.

Many thanks to Michelle.

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My Writing Journey

A busy week with three days away from my computer! This was a time to think and reflect on my WIP (work-in-progress). I decided to approach writing a particular chapter in a different way. It was by serendipity that I came across a story that will suit my own story very well. It will impart the same information but in a very different way. I was given a gift. This is one of the last chapters I have to write to finish my WIP. Of course as all writers do I have a story mulling around in my head for my next novel. The siren song of another story is often what waylays a writer but I will ignore my protagonist for the moment. I have visited the grave of the woman I am going to write about and I have a few pebbles from her grave, which is a very old one, on my writing desk.  I definitely felt a connection to her.  Her life was a sad one but also one that was, at times, full of hope. I have a rule that I don’t discuss my writing in any depth before I have finished the last line but I can say that it is a fabulous story.  I hope you enjoyed my previous post this morning. Oleg Oprisco is a photographer who has a soaring imagination. His photos encapsulate all the things I love: fantasy, a fairy tale and mythical element, and there lingers in his photographs something of his imagination and vision.  I have given the link at the bottom of my previous post to his Facebook page and website. ENJOY! Have a good writing week and thanks for being in touch, I have made wonderful friends through  this Blog,

Best, Elise

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An Interview With the Incomparable Oleg Oprisco

Oleg Oprisco is a photographer of the beautiful and the unusual. He has generously given permission for me to share his wonderful photographs on my Blog and to re-post his recent interviews. Thanks Oleg.

When Oleg Oprisco agreed to take an exclusive photo for the 500px ISO launch, we were over the moon. If you don’t recognise his name, you will definitely recognise his photos. Oprisco is an inspired photographer who brings that ethereal, fairytale quality to his photos that make them iconic. His photos have inspired so many photographers to try and capture the same magical effect, which we truly admire. As Oprisco says, “Create + Desire”. Here’s a little more about him.

Hi Oleg. Can you please tell us a little about yourself?

I was born in the small town of Lviv, in western Ukraine. After completing my studies and working a little, I moved to Kiev where I worked as an assistant to a famous advertising photographer. I was making money, but I lost my creativity. For a long time I thought that was all I was able to do until I tried to shoot on medium format film. That changed my life.

You’ve said your photographic journey began when you were 16 and working in a photo lab. What about that experience made you interested in photography?

Yes, that was a very important moment for me. As an operator, part of my job was to adjust all the pictures that the photo lab printed. I had a few buttons to control the color, brightness and contrast.

I lived for several years in “reality show” mode, observing every day life. I have visited thousands of weddings, birthdays and many other special occasions. I could do this forever, in what I call “robot” mode. This means working seven days a week for several months. This experience taught me what colors people like. I am using this information to this day.

What do you love most about photography?

Like every Ukrainian, I love freedom. I like the ability to stop time and create my version of reality

Where does your inspiration come from?

We live in exciting times. Everything changes very quickly: the weather, architecture, landscape, people, time. We can see this all happening in real time.There is inspiration all around us. Everything that happens in our lives is a unique source of inspiration. There’s no sense in stealing someone else’s. Only the original is a unique creation. Be sure any artist of the 18th century, the 19th century is very jealous of us. We can live anywhere and create anything and show it around to world. Everything is in our hands.

Can you share a memorable story from one of your photographic experiences?

Each picture has a unique story. My models are heroes and I love them for it.

Is photography your hobby or profession?

Funny question. I only work in photography. If you want good results, it cannot be a hobby.

Your photos have so many complicated props and outfits. Do you design and make these yourself or do you have an assistant?

I always try to do everything myself. I collect clothes from flea markets or old studios and then learn how to adapt them. Same with the props.

How long does it take to prepare one shoot?

I have a notebook where I keep a lot of ideas for photography. If everything turns out as I imagined, preparation takes two to three days. It is a question of weather, people or mood. Sometimes the work I put in does not yield the result I wanted. Therefore, the more experience and reflection I depend on for the shoot, the better.

You only use film photography. Why is that?

I use medium format film. It’s hard to explain in a few words. It’s a different system. I shoot for 12 frames and enjoy the importance of each frame. I carefully work on each frame. This is a fantastic process.

You press the shutter button but do not know what happens. This is real magic.

I often hold workshops and it’s very funny sitting in front of many photographers with $2000 – $3000 cameras and lenses, and on my table is an old Kiev 6C, which is worth about $50.

What advice would you give to amateur photographers?

I strongly advise to use your time wisely. Laziness is your worst enemy. Enough looking at photographs taken by your idols. You’ve commented on enough work that you hate. It’s time to take photos. Your best photos. Let go and shoot, shoot, shoot!

You’re from Lviv, Ukraine and you’re interested in politics. What are your thoughts on the recent Maidan uprisings? Is there a message you’d like to say to them here?

This is the story of a free people and corrupt authorities. Ukraine is a very young country. We’re go through the processes that occurred in other countries for centuries. It’s very complicated, but we believe that the result will be wellness and peace. We wait and believe.

Thank you for taking the time, Oleg. And thank you for your gorgeous photo! We will always treasure it.

Published by Alex Kim • 3 weeks agoInterview used with permission: Oleg Oprisco

http://iso.500px.com/an-interview-with-the-incomparable-oleg-oprisco/

Link to Oleg Oprisco facebook: https://www.facebook.com/opriscophotography

https://www.facebook.com/opriscophotographyhttp:/

http://www.oprisco.com/

 

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Shakespeare and Company

Shakespeare and Company

May 2014
Events at a Glance
Friday 2nd May 7pm
Philosophers in the Library: Bill Johnston Monday 5th May 7pm
Aller Retour Paris: Launch Party
Tuesday 6th May 4pm
Aller Retour Paris presents Thirza Vallois Wednesday 7th May 3pm
Aller Retour Paris presents Katy Masuga & Mary Duncan
Friday 9th May 7pm
The Art of Criticism: Brian Dillon Monday 12th May 7pm
Ned Beauman on Glow
Wednesday 14th May 3pm
Children’s Hour with Kate Stables Thursday 15th May 7pm
John Berger on Cataract
Monday 19th May 7pm
Lisa Appignanesi on Paris Requiem Thursday 22nd May 6pm
Bard-en-Seine Reading:
As You Like It
A very happy new month to you all! We’re having a very vibrant spring-time so far here in Paris, out on the bright, blossomy streets and inside our bustling rabbit warren of a bookshop. We ended April in a very festive mood with a raucous adaptation of Tom Stoppard’s 15-Minute Hamlet, performed in the bookshop (front row audience members were very much caught up in the action!) by a stellar cast of Tumbleweeds and volunteers past and present. It was the perfect way to celebrate 450 years of the bard to the very date, and really put us in the mood for our next Shakespearean extravaganza… Watch this space for details about our Bard-en-Seine festival (23rd-27th July), whose show-stopper centre-piece will be a five night run of Macbeth, directed by Cressida Brown, and performed en plein air in the beautiful little park next to the bookshop.
But that’s getting ahead…there’s lots to anticipate in May, too. Roll up, roll up, Henry Miller aficionados! For the first week of the month, The Henry Miller Library gang are in town, all the way from sunny Big Sur, California, for their Aller Retour Paris Festival. They’ll be headquartered at Shakespeare and Company and we’ll be hosting a few special Henry Miller-themed events, but they’re getting out and about all over Paris, as well, so check out the full line-up here.
We’re also very, very excited about fiction readings with Ned Beauman and Lisa Appignanesi, and thrilled beyond belief to announce an event with John Berger, one of the most internationally influential writers and thinkers of the last fifty years.
(If you do not see the image, click here to view it) Shakespeare and Company in the 60s
(If you do not see the image, click here to view it) The cast of Tom Stoppard’s 15-Minute Hamlet takes a bow
May Events

Most events take place upstairs in the library (30 seats), on the ground level (50 seats), or outside in front of the bookshop. During the events, the sound from the readings and discussions is projected around the entire store. We recommend you arrive 15-30 minutes early to try and get a seat as there is limited space.
Friday 2nd May 7pm
Philosophers in the Library presents…

The mindful translator: Toward a praxis of literary translation

Practising literary translators have long been at odds with translation theory. At best, such theory fails to capture the complexity of literary translation; at worst, it seriously misrepresents the processes and products of translation, both simplifying and distorting to the point where translators no longer recognize their part in the endeavor. Part of the problem lies in a misconception of what theory is for—there is a widespread assumption among translators and the general public that theory precedes practice, and is intended to be “applied”. Another approach, though, is possible—to theorize practice, as one finds, for example, in the work of Donald Schön and others. This talk, by an experienced practising translator, will consider the possible uses of theory for the practice of literary translation. Bill Johnston has translated about thirty books from the Polish, including both poetry and prose. He has held fellowships from the National Endowment for the Arts and the National Endowment for the Humanities; his prizes include the inaugural Found in Translation Award for Tadeusz Różewicz’s new poems (2008) and the AATSEEL Translation Prize for Magdalena Tulli’s Dreams and Stones (2004), both published by Archipelago Books. In 2012 his translation of Wiesław Myśliwski’s novel Stone Upon Stone (Archipelago Books, 2010) won the PEN Translation Prize, the Best Translated Book Award, and the AATSEEL Translation Prize. He is currently a fellow of the John Simon Guggenheim Foundation, and is working on a new translation of the Polish national epic Pan Tadeusz by Adam Mickiewicz (1798 – 1855). He teaches in the Department of Comparative Literature at Indiana University.
Monday 5th May 7pm
Aller Retour—The Henry Miller Library Goes to Paris!

Join us at Shakespeare and Company for the Aller Retour Paris opening night party, hosted by Ping-Pong, the official literary magazine of the Henry Miller Library (all the way from Big Sur, California)! Expect poetry, wine, music by Al Rose, and Henry Miller-inspired revelry all round! Speakers include New York City’s J Hope Stein, Paris-based artist Jean-Noël Chazelle, and editor Maria Garcia Teutsch.

Maria Garcia Teutsch will be reading from the new bilingual (French and English) edition of Pussy, as well as from her new manuscript, Whore-son, poems written in response to the underlined sections of Jean Genet’s The Balcony. She has been, or will be, published in: Otoliths, The South Carolina Review, Prairie Schooner, The Lullwater Review, The Cold Mountain Review, The Haight-Ashbury Literary Journal, The Sierra Nevada Review, Women’s Arts Quarterly, and Whole Beast Rag.

J Hope Stein is the author of the chapbooks: Talking Doll (Dancing Girl Press), Mary (Hyacinth Girl Press), and Corner Office (H_ngm_n). Her poems are published or forthcoming in Verse, HTML Giant, Tarpaulin Sky, Everyday Genius, Ping-Pong, Talisman, and Poetry International. She is also the editor of poetrycrush.com and the author of poetry/humour site eecattings.com.

Jean-Noël Chazelle is a Paris-based painter who will read French poems published in Ping-Pong, including the works of Jean Arp and Guy Jean, as well as some of his own work.
Tuesday 6th May 4pm
Aller Retour Paris presents: Thirza Vallois

Join us for a talk in the library—followed by an optional literary stroll around the City of Lights—with Thirza Vallois, whose “Around and About” Paris books have been universally acclaimed as the best travel books ever written on the city. The talk will run from 4-5pm, followed by the walk, which should wrap up around 7.30pm.

To learn more about Thirza and her books, visit http://www.thirzavallois.com
Wednesday 7th May 3pm
Aller Retour Paris presents: How Henry Miller Can Change Your Life (Again)

We all know why we love Henry Miller (or even hate him), but do we know the real reasons why we should love him? Join us for an insightful discussion with Dr. Katy Masuga, author of The Secret Violence of Henry Miller (2011) and Henry Miller and How He Got That Way (2011), and Mary Duncan, Director of the Paris Writers Group and author of Henry Miller is Under My Bed: People and Place on the Way to Paris (2008).
Friday 9th May 7pm
For the next installment of The Art of Criticism series, we are delighted to welcome Brian Dillon, to discuss reviewing books, writing essays, eclectic interests, and tackling literary theory. We will be discussing his new collection of essays, Objects in this Mirror (Sternberg Press), of which Wayne Koestenbaum has written, “Like Roland Barthes and Virginia Woolf, Brian Dillon pays lavish attention to curious byways that usually go without saying. In sentences at once playful and majestic, he plumbs the intellectual depths of his subjects, and reveals a perverse, nearly dandyish love for odd facts and iconoclastic vistas. There is more than a touch of W. G. Sebald—the Wordsworthian wanderer, the romantic itinerant—in Dillon’s melancholy yet mood-spiked attitude toward the material objects that greet his sober, ever-evaluating eye. Reading Objects in This Mirror, we participate in Dillon’s restless perambulations, and we are delighted to be thus transported.” Brian Dillon is a writer and critic based in Canterbury. His books include Objects in This Mirror: Essays (Sternberg Press, 2014), I Am Sitting in a Room (Cabinet, 2012), Sanctuary (Sternberg Press, 2011), Ruins (MIT Press/Whitechapel Gallery, 2011), Tormented Hope: Nine Hypochondriac Lives (Penguin, 2009), and In the Dark Room (Penguin 2005). His writing appears regularly in the Guardian, the London Review of Books, the Times Literary Supplement, Artforum, and frieze. He is UK editor of Cabinet magazine, and teaches critical writing at the Royal College of Art. Dillon is curator of Curiosity: Art and the Pleasures of Knowing — a Hayward Touring exhibition which is at De Appel, Amsterdam, 27 June -14 September 2014 — and Ruin Lust, at Tate Britain from 4 March -18 May 2014. He is working on a book about the Great Explosion at Faversham, Kent, in 1916.

Hilary Mantel reviews Tormented Hope: Nine Hypochondriac Lives in the LRB
Monday 12th May 7pm
“A singular, and almost recklessly gifted, young writer” — Time

We’re hugely excited about hearing Ned Beauman speak about his dazzling new novel, Glow.

A hostage exchange outside a police station in Pakistan. A botched defection in an airport hotel in New Jersey. A test of loyalty at an abandoned resort in the Burmese jungle. A boy and a girl locking eyes at a rave in a South London laundrette… For the first time, one of Britain’s hottest young novelists turns his attention to the present day, as a conspiracy with global repercussions converges on one small flat above a dentist’s office in Camberwell.

Ned Beauman was born in 1985 in London. His debut novel, Boxer, Beetle, was shortlisted for the Guardian First Book Award and the Desmond Elliot Prize and won the Writers’ Guild Award for Best Fiction Book and the Goldberg Prize for Outstanding Debut Fiction. His second novel, The Teleportation Accident, was longlisted for the Man Booker Prize and won the Encore Award and a Somerset Maugham Award. He has been chosen by the Culture Show as one of the twelve best new British novelists and by Granta as one of the 20 best British novelists under 40. His work has been translated into more than ten languages. Ned was also one of the judges for the Paris Literary Prize 2013.

Ned Beauman has a cool and interesting website here.
Wednesday 14th May 3pm
Children’s Hour—music, rhythm, and stories for kids. Bring your children (2-6 year-olds, siblings welcome too) to the library at Shakespeare and Company for an hour of music, songs, and stories in English (for all nationalities, even those who don’t speak English). Led by the magic Kate Stables, mum and singer/songwriter from This is the Kit, this lovely event has become an institution. There will be instruments to play and a lot of noise to make! Four euros donation appreciated. Due to space restrictions, we ask that you try and email Kate to confirm your place, and also that each child is accompanied by only one adult where possible. Thanks, all!
Thursday 15th May 7pm
We’re thrilled to announce that the magnificent John Berger will be joining us to discuss Cataract, one of his latest titles, and resonant themes in his work as a whole.

John Berger is a storyteller, essayist, novelist, screenwriter, dramatist, and critic, whose body of work embodies his concern for, in Geoff Dyer’s words, “the enduring mystery of great art and the lived experience of the oppressed”. He is one of the most internationally influential writers of the last fifty years, who has explored the relationships between the individual and society, culture and politics, and experience and expression in a series of novels, bookworks, essays, plays, films, photographic collaborations, and performances, unmatched in their diversity, ambition, and reach. His television series and book Ways of Seeing revolutionised the way that Fine Art is read and understood, while his engagement with European peasantry and migration in the fiction trilogy Into Their Labours and A Seventh Man stand as models of empathy and insight. Central to Berger’s creative identity is the idea of collaboration, with people, places, and communities as much as with other writers and thinkers. Democratic and open exchange is embedded into his project, and among those artists with whom he has worked are some of the most imaginative in their fields—theatre director Simon McBurney of Complicite, the late artist Juan Munoz, photographer Jean Mohr, composer Gavin Bryars, and film-makers Mike Dibb, Alain Tanner, and Timothy Neat.

In Cataract, John Berger works in collaboration with acclaimed Turkish illustrator Selçuk Demirel. In this book-length essay, published by the brilliant Notting Hill Editions (and Le Temps des Cerises in France), John Berger explores what happens when cataracts rob an art critic of his sight, and reflects upon his own experience of loss of vision.

John Berger: A Life in Writing

John Berger in conversation with Michael Ondaatje
Monday 19th May 7pm
We’re delighted to announce an evening with Lisa Appignanesi, who will, appropriately, be discussing her latest novel, Paris Requiem.

Paris, 1899. Capital of the crime passionel. Paris is electric with excitement. Everywhere preparations are underway for the universal exhibition and the new century—an age of speed and modernity. But the sensuous spectacle of the belle époque is shadowed by racial and social tensions. Street demos are rampant. Anti-Semites vie with the defenders of justice and the rights of man. Scientists propose hereditary explanations for the rise and rise of murder, madness, and nervous disorders. The police force is embattled, exposed in a scandal-mongering press. In the midst of all this, the body of a beautiful woman is found in the Seine. She is the performer Olympe Fabre. She is also Rachel Arnhem, a young Jewish woman, whom gossip, back in Boston, has linked to one of its favourite prodigals, Rafael Norton. James Norton, his elder brother, is charged with the task of bringing Raf and their high-spirited, though ailing, sister, Ellie, home from the hotbed of vice and murderous entanglements. It is a mission he confronts reluctantly. He and Paris have a history—not altogether unlinked to the turbulent present that now confronts him.

Lisa Appignanesi OBE is a prize-winning writer, novelist, broadcaster, and cultural commentator. She is past president of English PEN, served as deputy director of the Institute of Contemporary Arts, and is chair of the Freud Museum. She appears regularly on Radio 3’s Night Waves and Radio 4’s Saturday Review. Her many books include Trials of Passion, Losing the Dead, Mad, Bad and Sad, All About Love, and The Memory Man. She lives in North London.

Discover Lisa Appignanesi’s top ten books about Paris
Thursday 22nd May 6pm
The Bard-en-Seine Readings

Throughout 2014, in honour of the 450th anniversary of Shakespeare’s birth, we’re hosting the Bard-en-Seine Readings. The goal is simple: to revisit and celebrate some of Shakespeare’s most loved plays. So, once a month, we will be hosting informal read-throughs in the library, which will be recorded and sent out as podcasts in this very newsletter.

For May, the play will be As You Like It and the reading will take place on Thursday 22nd at 6pm, in the library.

If you’d like to take part, please email Milly Unwin, and tell her whether you’d prefer a larger or a smaller role. Parts will be allocated on a first-come first-served basis, and we’ll let you know a week in advance of the reading whether you have a role. No preparation necessary, and we’ll provide the scripts. Please note that, due to space restrictions, the Bard-en-Seine Readings will only be open to those taking part.

The allocated plays for each remaining month of 2014 are as follows:

June – Henry IV (Part 1)
July – A Midsummer Night’s Dream
August – Othello
September – The Merchant of Venice
October – Hamlet
November – Twelfth Night
December – Anthony and Cleopatra

Please check the newsletter and website each month for dates and times, and details of how to apply.
Special Recommendation if You Live in Paris
Le Panier d’Alexandre

We love getting our weekly fruit and vegetables directly from the source: Alexandre. Alexandre grows his produces in the Oise region and delivers weekly to Paris — usually on his bicycle. He delivers to your door and it costs 20 euros for a full bag of delicious home-grown goodies which you can be sure haven’t been drowned in pesticides! For more information, check out his website.
Podcasts from Last Month’s Events
John Baxter on Paris at the End of the World The Art of Criticism: Lila Azam Zanganeh
The Original of Lolita: Celebrating Nabokov’s Birthday in Paris The Best Translated Book Award 2014: Announcement and Celebration (feat. Amélie Nothomb)
450 Years of Shakespeare: A Celebration
Staff and Tumbleweed Picks
The Temporary Gentleman by Sebastian Barry
This is an extraordinary, heart-breaking novel. Beautifully written, it is the perfect companion to On Canaan’s Side. Barry’s prose has a cadence that quietly gathers until it becomes visceral. His project is of retrieval; for him, novels are the true afterlife and The Temporary Gentleman is a work of magic. — Sarah
The Black Count by Tom Reiss
Superman, Batman, Thor… These guys would have been no match for General Thomas-Alexandre Dumas, whose military and life achievements certainly surpass all his contemporaries. Son of a Haitian slave and a renegade French nobleman, the father of Alexandre Dumas was the inspiration for the Count of Monte Cristo. Indeed, much as Edmond Dantès was betrayed by his friends, Thomas-Alexandre was sent to exile by a jealous Napoleon Bonaparte who could not stand to ride in the shadow of his formidable black General. Written in the style of Dumas, this hectic biography is also a clever and well-documented description of France at the end of the 18th century. No wonder it won the Pulitzer Prize for Biography. — Alex G
A Girl is a Half-Formed Thing by Eimear McBride
Sit up, read this, and be surprised. This novel throws you into the mind of a young woman and her relationship with her family. It is outstanding. The energy, the detail, and the originality of the prose are unforgettable. I haven’t felt this affected by a novel for a long time. — Sylvia
Down and Out in Paris and London by George Orwell
I’ve always been drawn to the dirty side of Paris… Here Orwell writes about the bedbugs so we can enjoy the history without enduring the bites! — Octavia
Housekeeping by Marilynne Robinson
A haunting book about Ruthie and her family before her. Sentence for sentence, beauty can be found. This is a short, sweet novel about growing up in the wonderfully depicted town of Fingerbone. It is a novel full of light (or lack thereof) and a whole bunch of weather that twists and turns like a bad night’s sleep. If you want to know how to write a perfectly crafted little book, well, then you can’t go wrong with Housekeeping. — Thos
Antiquarian Picks
Naked Lunch by William Burroughs
First US edition / first hardback edition
New York: Grove Press, 1962
650€
First published in paperback by Olympia Press in Paris in 1959 as The Naked Lunch, William Burroughs’s stupefying satire on addiction, what he described as the “algebra of need”, was banned from US publication by obscenity laws. The book was finally published by Grove Press in 1962, retitled Naked Lunch to match Burroughs’s original intentions, and with substantial changes that brought the text closer to a 1958 manuscript held by Allen Ginsberg. Fine in near fine dust jacket, this first US edition appears unread. A stunning copy.
The Journals of Anaïs Nin
First editions of volumes 1-3 sold as a set
Inscribed by the author
London: Peter Owen, 1966-1970
650€
In her legendary journals, published in seven volumes, Anaïs Nin excavates her own mind to create an intensely candid journey through the years 1931 to 1974. They are where she deciphers or perhaps dreams all those things that make up her complicated myth: sexual freedom, bigamy, psychoanalysis, colossal lies, erotica, feminism, her relationship with Henry Miller in Paris. These first three volumes, taking us from 1931-1934, 1934-1939, and 1939-1944, are inscribed by Nin to the editor Beatrice Musgrave at her publishing house Peter Owen. An extremely special set in very good condition, signed “with friendship”.
Further Literary Tidbits
Thomas Piketty and Millennial Marxists on the Scourge of Inequality Matt Haig on Reading and Writing Against Depression
The Wizard of Oz Re-Imagined by Lisbeth Zwerger Paris People on Their Favourite Books about Paris (including tips from our own Sylvia Whitman)
New York Times obituary for Gabriel García Márquez ‘Having a Coke With You’ Illustrated by Nathan Gelgud
Seven Shakespearean Phrases and Concepts that Changed Western Culture On the Re-launch of Pelican Books
Charles Simic on The Great Poets’ Brawl of ‘68 The Art of Independent Publishing
The Last Words
“Thou seest we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.”
— As You Like It
“People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.”
– Iris Murdoch

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